Showing posts with label #ideas. Show all posts
Showing posts with label #ideas. Show all posts

Thursday, July 30, 2015

Yale University and Omaha Disagree

westward ho
Pioneer Courage Park, Omaha Nebraska

Amy Athey McDonald has published an article in Yale News titled: On gunfights, U.S. colonialism, and studying the American West on the East Coast. The article includes an interview with John Mack Faragher, the Howard R. Lamar Professor of History and American Studies, and director of the Howard R. Lamar Center for the Study of Frontiers and Borders.

The Lamar Center site has a nifty feature which displays a different student’s dissertation blurb every time you refresh the screen. (You can actually catch gems like this: “I seek to foreground these events as a historical pivot point during which North American and global geopolitics, British-American relations, and both “American” and “Canadian” native peoples’ status and territorial control hinged on seemingly peripheral people, movements, and landscapes.”)

It’s nice to see the American frontier get some attention, but I’m not an enthusiast for the tone of the article or the Howard R. Lamar Center. If you don’t want to take the time to read the article or visit the site, I can summarize the content of both in a few words—pioneers wore black hats.

Professor Faragher said in the interview, “As I insist with my students, for every community founded in the American West, imagine that one was destroyed, and people killed, removed, or pushed aside.”

Pioneer Courage Park, Omaha Nebraska
He lost me right there. When I read that sentence I heard Professor Faragher say he wanted no uplifting messages about the frontier spirit. If his students persisted, then he insisted that they balance their dissertation by showing how pioneers despoiled all that was good and decent in the Americas. I object to using deplorable acts of others to claim higher moral ground for oneself, especially when that person is removed from the transgressor by time and distance.



He says, “The best side of our history is the attempt to form a just society out of our less than promising beginnings.” In other words, we started poorly, but if we learn from our disreputable past we can fix our society so it is just. 

We started better than any other nation in history. How many civilizations had a chance to start fresh and declared with their first free breath that, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” Granted, the words were aspirational—still are—but what other collection of people defined such a precise and idealistic goal for themselves. Just because we struggle to act in accordance with this lofty goal is no reason to vilify ourselves.

Pioneer Courage Park, Omaha Nebraska

I believe all people are the same. The same virtues, the same flaws. I came to this conclusion early in life from reading the Bible. It occurred to me that human frailties have not changed in thousands of years. Races and countries and clans are not noble. Collections of people cannot be consistently honorable. Individuals, however, can be noble, but more likely they perform noble acts in what might otherwise be an ignoble life.

There is no excuse for appalling acts by politicians, soldiers, and settlers. But to emphasize the negative over the courageous and honorable actions of most pioneers is not the path to a just society. We must look honestly at our past, but also see the brave and stalwart souls who struggled to make this a better world.

Man cannot be made perfect, but he can be inspired to lean toward his better nature. 

Monday, July 20, 2015

Writing Tips from Ernest Hemingway

fiction writing celebrity author


Hemingway never published advice for aspiring writers, but he spoke or wrote enough about writing that Larry W. Phillips was able to edit a collection of his reflections on the craft. (Ernest Hemingway on Writing)

In the preface, Phillips writes, “Throughout Hemingway’s career as a writer, he maintained that it was bad luck to talk about writing—that it takes off ‘whatever butterflies have on their wings and the arrangement of hawk’s feathers if you show it or talk about it.’ Despite this belief, by the end of his life he had done just what he intended not to do. In his novels and stories, in letters to editors, friends, fellow artists, and critics, in interviews and in commissioned articles on the subject, Hemingway wrote often about writing.”

Here’s one piece of advice I like:

Hemingway said to F. Scott Fitzgerald that, “I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.”

This nugget reminds me of a photography course I took many years ago with my wife. (She got an A while I received only a B. Darn. And we took pictures of the same subjects.) Anyway, the teacher told us if we wanted to build a reputation as good photographer, we should take lots and lots of pictures and throw all of the bad ones away. Simple … but expensive in the age of film photography. In the digital age, this advice has become cost free. If adhered to religiously, this technique allows a visual dufus like me to catch up with my wife.

Here are some more tips gleaned from Hemingway lifelong musings about writing.
  • Use short sentences.
  • Use short first paragraphs.
  • Use vigorous English.
  • Be positive, not negative.
  • To get started, write one true sentence.
  • Always stop for the day while you still know what will happen next.
  • Never think about the story when you’re not working.
  • Don’t describe an emotion–make it.
  • Be Brief.
  • The first draft of everything is shit.
  • Prose is architecture, not interior decoration.
  • Write drunk, edit sober.

If you’re inclined, there’s even an app that will measure your writing clarity against Hemingway. I’m not one for machine assisted writing tools, but at $9.99, this one seems inexpensive. I bought it and tried it out on this post. It received a “good” score. Ironically, the quote from Larry W. Phillips was highlighted as the least comprehensible.  

Friday, July 10, 2015

Pixar’s 22 Rules of Storytelling


Scripts guidelines help storytelling. First Loony Tunes, now Pixar. The animated world has rules. Perhaps it's related to Walt Disney's comment that he liked animated features because he could control everything. He didn't need to deal with unruly actors.

Here  are Pixar's 22 Rules. Way more than Roadrunner's 9 or Bonanza's 7
#1: You admire a character for trying more than for their successes.
#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.
#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
#17: No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.
Click to see Pixar's 23 Years 

Sunday, June 14, 2015

People Love That Story

storytelling by an expert storyteller
Kurt Vonnegut

I'm collecting writing tips from famous author's. You can read them here. In this post, I'm adding Kurt Vonnegut’s writing tips. Good advice from an expert storyteller. 

Although I posted it before, I also wanted to share his amusing description of story forms. Behind the entertaining presentation, Kurt presents some solid analysis of the art of storytelling. So if you want to hear it from the horses mouth, watch the video below. 

Here are Kurt Vonnegut’s "8 Tips on How to Write a Great Story."
  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Every character should want something, even if it is only a glass of water.
  4. Every sentence must do one of two things — reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.





Monday, May 11, 2015

Writing Advice from George Orwell



Orwell's Rules
35 cents for a Masterpiece
  1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
  2. Never use a long word where a short one will do.
  3. If it is possible to cut a word out, always cut it out.
  4. Never use the passive where you can use the active.
  5. Never use a foreign phrase, scientific word, or jargon if you can think of an everyday English equivalent.
  6. Break any of these rules sooner than say anything outright barbarous.

Orwell's Questions
  1. What am I trying to say?
  2. What words will express it?
  3. What image or idiom will make it clearer?
  4. Is this image fresh enough to have an effect?
  5. Could I put it more shortly?
  6. Have I said anything that is avoidably ugly?


Friday, December 5, 2014

10 Tips for Holiday Book Giving




Books are a perfect gift ... and a great way to avoid the crowds. 

At times, friends and relatives can be hard to buy for. Some seem to have everything. Due to age or illness, others may be less mobile than in years past. Some don’t really want much. Families scatter across this huge country and selecting a gift, packaging, and shipping can be a chore.


A book, however, is always a great gift … especially if you take the time to match their taste in fiction or nonfiction special interest. Suddenly, your thoughtfulness becomes part of the gift. Whether your relatives or friends are interested in the Civil War, literature, romance novels, Westerns, paranormal fiction, railroads, guns, cooking, collecting old comic books, antique automobiles, or anything else, there's always a book that will bring a smile to their face. 
  1. Shop or search online for a book specific to the interests of your relative or friend—Goodreads is a good source for ideas
  2. Write a personal message on the flyleaf that won't get tossed out like last year's Christmas card
  3. Give a bookseller gift card for e-book and audio book enthusiasts
  4. Search out an author signing for your recipient’s favorite author or give a collector’s version of the recipient’s favorite book
  5. If you need professional help or want something unique, shop at an independent book store, or specialty bookstore (like the Poison Pen in Scottsdale that specializes in mysteries)
  6. Remember, if you subscribe to Amazon Prime then shipping is free, or mail books early to take advantage of media class at the Post Office.
  7. Give a book as a piece of art, like a fine print book, unique coffee table book, favorite book as a child, or collectable cover art (I collect early 20th century Western pulp fiction books for the cover illustrations)
  8. Make a highly personal photo book with ShutterFly or Apple iPhoto or Apple Aperture
  9. If you’re giving a gift to a student—or me, for that matter—tuck a crisp $100 bill into the book as a bookmark
  10. Finally, if your  friend or relative already owns piles of books, give a unique set of book ends to hold them in their proper place

One final tip that comes close to re-giftingfind an Amazon hardcopy and that includes a “Match Book” deal with the simultaneous purchase of the e-book format. Gift the printed version and get an e-book for yourself.

Books are the best entertainment value. They provide hour after hour of personal pleasure, and then they can be passed on to another person.

Children's books are also great gifts. We search for autographed storybooks for our grandkids. Bookstores always have children book signings around the holidays, and this is one area where we join the crowd. The icing on the cake is that we get to read them a story from one of these books when we visit.

Here are Amazon links to bestselling books in a few categories. There are many more categories a click away. Topic searches also work with Barnes & Noble and other online booksellers.


If you choose to gift one of my books, thank you.  I appreciate it.

Merry Christmas and happy holidays. And have a great 2015.