Old Haunts Enters Proofreading

 

Interim Cover

Old Haunts, A Steve Dancy Tale has entered the proofreading stage. The new Steve Dancy should be available in 4-6 weeks. Thank you for your patience. Here's a snippet to whet your appetite.

 

“You be Steve Dancy?” asked a man behind my shoulder.

I looked up to see a lean, shallow-cheeked youth in his early twenties who appeared earnest. Earnest about what, I wondered.

“Do I know you?” I asked.

“Nope. But I heard of you. Deadly gunman. Rich as Midas. Renown throughout the West as one of the few surviving gunfighters.”

 “You forgot author. I write novels.” I laughed. “Sorry, son, those are just stories.”

“Not from what I hear. They say you write about yourself.”

I tried a friendly smile. “If only that were true. Actually, the life of a writer is exceptionally dull. Sitting in front of an Underwood all day. How’d you recognize me anyway.”

“I got my ways. I came over see if we could arrange a duel.”

“A duel? Is this a joke? I’m not a duelist. I’m a writer and a businessman. My characters duel, I don’t.”

“No joke.” He gave me a hard stare that reminded me of someone I couldn’t place. “I demand a duel.”

“Demand to your heart’s content, I’m not responding. I’m a married man with a quiet home and three kids. You’ve been misinformed.”

“Being a father ain’t no excuse. You killed my pa.” When I didn’t respond, he added, “Name of Brian Cutler.”

“Never heard of him,” I lied.

“Oh, yes you have. Without warning, you shot him and my uncle dead in the streets of Pickhandle Gulch.”

I stared in disbelief. Brian Cutler had been the first man I killed. Or the second. His brother may have been first. I didn’t remember.

Honest westerns. Filled with dishonest characters.

 

Books, editors, and publishing in a man's world

Update: In the Land of Men is now available.

In previous posts, I mentioned that several times a year I read books about writing, the publishing industry, or literary criticism. My next will be In the Land of Men by Adrienne Miller. (Publication February 11, available for pre-order) Adrienne Miller was the literary and fiction editor of Esquire from 1997-2006. This "fiercely personal" memoir tells us about her experiences as the often lone female editor in a male dominated industry.

A rich, dazzling story of power, ambition, and identity

The New York Times named In The Land of Men as one of 14 New Books to Watch For in February, The Washington Post includes it in their Top Ten Books to Read in February, and it’s Parade’s February Must-Read. The book is also on major “Most Anticipated Books of 2020” lists, including Vogue, Esquire, Parade, Maclean’s, Bitch, and has received amazing early endorsements from authors Jonathan Lethem, John Hodgman, Meghan Daum, Gary Shteyngart, Eleanor Henderson, among others. Early reviews appear in the latest print issues of Vogue and InStyle.

ebooks vs. print—Who Won

This weekend, I ran across this cartoon. At one time, everyone predicted the electronic books would supplant the printed variety. I think we can see the future and it's here. Every book format appears to have found its natural level in the order of things and percentage changes from this point will probably be in single digits.

I suspect my experience is representative of the industry. All of my books are available in print and electronic formats. Most of them are also available in audio and library bound large print. Although my books sell in every format, there are differences in the distribution of sales. 

My westerns sell overwhelmingly in the ebook format and are trending toward the subscription model. Voracious genre readers are perfect customers for books available inexpensively for a monthly fee. The mass-paperback industry has been pretty much devastated by ebooks. Audio books are also popular with genre readers.

Readers of my history books and historical novels prefer printed books. Large print books are popular with libraries.

It should have been obvious from the beginning that the perfect ebook market was mass paperbacks. A cheap, portable, and disposable reading format. But pronostators love to take a trendline and extend it to the stratosphere.

In truth, I don't care which format my readers prefer, only that they keep reading.

Time, the Magic Elixir—Set Your Novel Aside for a Spell

Partial Outline for Tempest at Dawn

I believe novels are like wine, they need to age in a metaphorical cask for just the right amount of time. The chart on this page was a timeline I developed for Tempest at Dawn, my novelization of the Constitutional Convention. This chart reflected what happened during May, 1787, the first month of the Constitutional Convention. (Each number has extensive hidden notes.) I also develop separate charts for each of the following three months, plus similar charts for before and after the convention. My table for the cast of the story retained an unbelievable amount of data on all fifty-five delegates plus a dozen or so outsiders. I had spent three years studying the convention and the framers. It was a daunting task and I wanted to squeeze everything into my novel. To quote Pretty Woman, “Big mistake. Big. Huge.”

The real story of our nation's founding.

My original draft was over 240,000 words. My agent harangued me to cut, cut, cut. By the time he agreed to shop the book, it was about 175,000 words. Despite his enthusiasm, it didn’t sell, and I threw the manuscript into a drawer (actually a computer file folder) for several years. After I had successfully self-published a western series and The Shut Mouth Society, I decided to take another look at Tempest. I felt I had captured the story, but diffused the drama with too much detail. Now I went after the manuscript with hedge clippers instead of scissors. After that, professional editing and proofreading got the final published manuscript down to 140,000 words. Still a big book, but now it moved with an energized pace.

Time was the medicine that cured the ills of Tempestat Dawn. I got far enough away to lighten my emotional attachment to the project. Writing a book is consuming, but intensity can also cloud judgment. 

After your final draft is done, set it aside for a bit and let your book mellow. Does it need to be years? Absolutely not. When I finish a novel, I go on a trip. Get some real distance between me and the book. I prefer going surfing or taking a road trip with friends. Something that feels like a reward. It can be as short as a week, and is seldom more than a month. For me, travel shortens the time I need to be truly objective about the final draft.  Every writer is different, so this may not be the best way for you to clear your head. I only know that I do solid revisions after getting mentally and physically away from the book for a spell.

One last thing: it’s not easy to abandon your book. There’s excitement on completion and an anxiousness to get it out there because it’s your best work to date. Probably true, but it can always be better. Give it a little time and look at it again with fresh eyes. (I also have a couple of trusted people read and comment on the book while I’m gallivanting around.) Try it once and see if it works for you. Like I said, every writer is different.

Publishing Trends Viewed from an Omaha Armchair

The digital revolution continues to roil publishing, so here are a few of my recent observations. I suspect at least three of these five are correct. It’s your job to figure out which three.

1. Shift from books to e-books is leveling out
2. Content becoming more profitable than e-reader devices
3. Amazon continues to innovate ahead of traditional publishers
4. Traditional publishers are adapting
5. Indie-e-books are a saturated market

Can traditional publishers fight off the pesky indies?

Shift From books to e-books is leveling out

For the prior five years, my printed book sales as a percent of total sales have declined. Until this year. In 2013, the ratio of print, e-book, audio, and large print sales have all held steady with 2012. In fact, in recent months, I have seen a slight resurgence in printed books. I suspect this means that the e-book phenomenon has reached a mature state.

Content becoming more profitable than e-reader devices

Amazon appears to be shifting its e-book strategy, with increased emphasis on content rather than on selling Kindles. Device prices have dropped as technology-prone readers have for the most part already purchased Kindles. Now, the big money is in selling content and annual device upgrades. Amazon has taken a couple of subtle steps to nudge e-book prices up, or more precisely to inhibit low or zero priced content.

Amazon continues to innovate ahead of traditional publishers

Amazon has recently started two new programs. The Matchbook feature allows publishers to offer a steeply discounted Kindle version to print book purchasers. This is doubly clever. Matchbook encourages book purchases through Amazon rather than competitors who cannot offer a similar deal on the market-leading Kindle. Matchbook also adds revenue without cannibalizing either format, while at the same time furthering Kindle domination. The second program is called Kindle Countdown Deal, which allows publishers to program discounted e-books for a limited time. The trick here is that Amazon "counts down" the remaining discount days to build urgency into the buy decision. Both of these are attempts by Amazon to increase their control over e-book discounting.

                                         Traditional publishers are adapting

Even a battleship can eventually turn. Traditional publishers are flexing their promotional muscles and showing contract flexibility with their bestselling authors. Mid-list authors aren't getting any better treatment, but they seldom made money for traditional publishers anyway. Few care if they jump ship. It looks like it’s turning into a build your platform first world. By the end of the publishing digital revolution, it’s possible traditional publishers will be more profitable. 

Indie-e-books are a saturated market

First giving away books for free quit working, now it’s hard to sell e-books at 99¢. When there are tens of thousands of e-books published every month, it’s hard for any particular author to get noticed, despite whatever financial shenanigans are employed. As more and more indie-authors experience weak sales, a growing number will pursue other endeavors. This will reduce supply until we reach market equilibrium. In the meantime, indie competition will be a slugfest.

If you bought print copies of my books from Amazon, get a Kindle version for 99¢

Many people are unaware that Amazon has a program called Matchbook. If the publisher enrolls their books in the program, Amazon purchasers of print books can get an Kindle e-book version for a steep discount. The price for Matchbook must be between zero and $2.99. All of my books have been set at 99¢. This means if you have ever bought one of my print books on Amazon, you can now pick up a Kindle version for less than a dollar. 



Here is a link that will display all of your eligible titles.  

You'll see all the books you've purchased that are enrolled in this program, but I'm sure you'll jump on my books first. If not, maybe second? Anyway it's a good program, especially for people who have made many purchases through the years, but have only recently acquired a Kindle. 

Happy reading.

Indie Publishing Rewrites Promotion

Kim McDougall of Castelane, Inc. recently wrote to  ask for permission to re-publish on the new Castlelane website an article I wrote for Turning Point .  I agreed, but in rereading the article, I decided it could use an update. Here is the revised article.

There’s not much you can believe about indie-publishing.  Information from indie-publishing houses is suspect, and most of the other data comes from people who make their living off striving writers.  As someone who has published with a traditional house and indie-published, I’ll try to give you the straight scoop.

First, I Indie-publish by choice.  It didn't start out that way, but now I’m convinced that indie-publishing is the best route for me.

My first book was published by Wiley.  It was an agented, non-fiction book.  After I completed my first novel, Tempest at Dawn, I secured a different New York agent that specialized in fiction.  While the agent shopped my lengthy, historical novel, I wrote a genre Western titled The Shopkeeper.  Since the typical advance for a Western wouldn't make a decent down-payment on a Nissan Versa, my agent declined to represent it.  No problem, I’d indie-publish.

Currently, my novels are in print, large print, audio, and e-book formats.  My large print and audio contracts are traditional contracts with advances, so I still have a foot in each world. I’m making money, but what is more important, my platform continues to grow.  (My agent didn’t sell Tempest at Dawn, so I ended up indie-publishing it as well.)

Why I Stay with Indie-Publishing

That’s how I started indie-publishing, but why do I stay with it after building a respectable platform? Three reasons:  speed, income, and control.

Coming Soon ... The Return, A Steve Dancy Tale

Friday, I signed the final approval forms for The Return, A Steve Dancy Tale. Whew!

The Return by James D. Best

I wish that meant the book was done and the novel would be available next week. Lots yet to do for the print version and formatting remains for ebooks. Turnaround for ebook formatting is generally quick, so I expect both formats to be available within the next four weeks. Perhaps a little sooner. Center Point's Large Print version will come out the first quarter of 2014. The movie has been green-lighted for 2024, or thereabouts.

Center Point Will Publish The Latest Steve Dancy Tale

I returned from my trip to Nebraska to find a publishing contract from Center Point for The Return, A Steve Dancy Tale. They’re a great group of people, so I signed and posted the contract immediately. My understanding is that Center Point has the large print version of The Return slotted for the first quarter of 2014. (Trade paperback and ebook formats will be available this summer.)

I’m thrilled that Center Point will have published all four of the Steve Dancy novels. It also pleases me that the first three books have earned past their advances. That probably explains why Center Point bought the large print rights to The Return sight unseen. That’s a compliment I feel really good about.

Related Post:

The Future of Large Print

Can a manuscript ever be perfect?

Orgainc? Now that's embarrassing. 

A couple weeks ago, I went through the galley proof for The Return and found over twenty changes. Bummer. When I received the corrected galley proof, I found two more errors. Double bummer. The book is now in proofreading and if experience is any guide, a dozen or more errors and typos will be discovered. Makes you wonder if it's possible to write 75,000 flawless words. 

It's embarrassing when reviewers point out grammar or spelling mistakes. Yet, it invariably happens. My first book, published by Wiley, had three line-editors. That was standard practice fifteen years ago. Now, even the big houses have cut back to a single line editor. That's why you're seeing more mistakes in big-name author books. It's not the cost of editing as much as the time. Time is money, and when you have a potential bestseller waiting in the wings, publishers are in a rush to get it to market. 

Anyway, I'm rambling because I'm at a bit of a loss about what to do. The cartoon below explains my mood exactly, except I've finished writing my latest book. It's always been hard for me to start the writing process on a new book while my last novel is in the final stages. I know I'll get engrossed in new story and resent the inevitable interruptions that come form finalizing and promoting my prior book. I only allow myself to read books I've collected as reference material for my next novel. Besides, I need to let the plot percolate for a while before laying down the first word.

I think I'll head off to Pacific Beach and get in a little summer surfing. Reading and surfing ... that should fill my days nicely.

10 Myths of Indie-Publishing

I indie-publish because I like the control and speed. Traditional publishing is far too controlling and works at a glacial pace. I know because I've been traditionally published. Still am. The large print and audio versions of my books are traditionally published with advances. Which brings up a third reason I like indie-publishing—control over the various rights to my work. (Anyone interested in a musical?)

There is a lot of misinformation about indie-publishing, so here is my feeble attempt at myth-busting.

1.    Indie-publishing is a path to wealth

I once owned a tee shirt illustrated with a bum holding a sign that read, “Please help, employed writer.” Except for a select few, writing has never been a lucrative profession. In recent years, there has been a wave of books about how you can sell a gazillion eBooks and soon be doing a Scrooge McDuck dive into a money pool. Not likely … unless you write a book about eBooks being an easy path to wealth. It’s difficult to produce a book thousands want to read, and real wealth won't come until you find hundreds of thousands of fans. However, if you are creative and hardworking, writing can provide a nice supplement to a day job.

2.    Publishing an e-book is free

You can electronically post a book for free, but it would not be published in a professional sense of the word. You need editing and probably professional formatting. The good news is that formatting is relatively inexpensive. The bad news is that editing costs about two cents a word, and proofreading another penny. Do the math. If you choose to proceed without editing and formatting, myth #1 comes into play.

3.    Price your book at 99 cents and you’ll sell a million

The primary marketing task for an indie-author is to stand out from the crowd … and right now the crowd looks bigger than the population of Cairo. For one brief moment you could stand on the shoulders of all the other indie-authors by promoting your book for 99¢ or free. Not anymore. Now low cost books have to figure out how to stand out from the low cost crowd … and if they succeed, they still won’t make serious money. For the most part, this is a yesteryear strategy.

4.    Giving a book away will build a sustaining platform

A free book promotion can generate immediate downloads, but it does not build a sustaining platform. The book will fall back into historic sales patterns soon after the free promotion ends. Free promotions must be done over and over again with each promotion having less impact. And there is no long term advantage. Free book groupies are fans of free books, not specific authors. There is money to be made with free book promotions, but they do not build author platforms.

5.    You can easily use social media to build huge sales

The words easily and huge ruin #5. Promoting a book with social media is hard work, and more important, it must be thoughtful. There is so much hype flying around that whatever you post is quickly dismissed unless the content provides useful information or has an element of cleverness. Huge sales may result from working social media, but only after an extended period of consistent and thoughtful postings. Social media is great, but it is not an easy path to sales.

6.    Amazon needs me—Amazon owes me

Amazon is not your servant. Amazon is a marketplace.

In the Amazon marketplace, Amazon makes the rules. Whenever you chafe at the rules, ask yourself where you would sell your book without Amazon. There are a number of alternatives, but all of them combined do not approach the clout of Amazon. Besides, without Amazon, those alternatives would be less accommodating to indie-authors. Amazon is the single biggest reason there is an indie-publishing revolution.

7.    E-book formatting is a piece of cake

Narrative books can be uploaded with very little special handling. It’s still not a good idea. Any little format glitch distracts the reader from being transported to another place and time. It ruins the magic. If your book is worth hours upon hours of someone’s time, it is worth careful formatting for each brand of eReader. Do it right, or have it done by a professional.

8.    Print Books are Dead

Many indie-authors were drawn to eBooks because they grew up in a digital age and believe the physical world is unreal. Not true. Most readers prefer a physical book or read both formats. Even eBook enthusiasts often check to see if there is a print format before buying. Why? Because it means the author is serious and believes in his work. Like it or not, printed books lend credibility to eBooks.

9.    Networking with other indie-publishers will help build sales

There are many reasons to network with indie-authors, but sales is not one of them. Other indie-authors may share tips, but they’re not great buyers of other indie-author books. When you social network, don’t get sucked into spending all of your precious time chatting it up with other writers. Go find readers.

10.  Everyone has a book in them

Most people don’t. Not even one. Every successful writer writes. They don’t think about it, they do it. Just because indie-publishing has become feasible for the masses doesn’t mean everyone should be pounding away on a keyboard. Some people are better off expressing their creativity in another venue. Here is an easy test to see if you’re a writer. Do you enjoy writing? Is it something you can’t wait to get back to? If you think of writing as work, you’re probably not a writer. Writers love to write. 

Books are such simple creatures

I’m currently going through the galley proof for The Return, A Steve Dancy Tale. In my supposedly perfect manuscript, I've already found over twenty revisions, errors, and typos. After these changes are incorporated into the text, the final step will be proofreading. Getting close.

The publishing process made me think that a book appears deceptively simple. Mental_floss recently published “10 Terms to Describe the Anatomy of a Book.” All of these words describe myriad parts of a book. Not such simple creatures after all.

Leaves

Endpapers

Edges

Wire lines and chain lines

Signatures

Manuscript

Head-piece

Half-title

Foxing

Diaper

Physical books are being shoved to the side by eBooks, so these terms will become increasingly important as books are collected for their aesthetic value. If you interested in the meaning of these terms, you can follow this link to mental_floss.

Mistakes Aplenty

Hi, I'm looking for a Bible for my mother but I'm not quite sure who the author is

Here are three sites that allow us to laugh at other people's mistakes. Everyone makes mistakes. I know I've made more than a few. Although it's great therapy to be reminded that other witless people abound, I fear one day I'll open an article to find my own mistakes broadcast to amuse the world. So far, I've escaped this humiliation but it remains a fearsome nightmare.

Witless Questions Customers Ask in Bookshops 
(The comments outdo the article examples)

Query Letters From Hell

What NOT to Do When Beginning Your Novel

Book Cover ... by Design

Book cover design is an art ...and I am not an artist. At least, not a visual artist. Previously, I posted a mock-up of the book cover for The Return, A Steve Dancy Tale. The cover I chose was one of twenty-two different mock-ups. Here are a few of these rough prototypes.

The prototype we choose is on the left below, with the final cover to the right.

The cropping, typeface, and coloration were refined. This is a famous 1887 New York City photograph by Jacob Riis, titled Bandits Roost. I especially like Steve Dancy's shadow in the foreground.

Here are the covers for The Steve Dancy Tales. As with any series, there is a consistency in the design. Among other things, all of them use vintage photographs from the period. I'm a little disappointed in the size of my name, but I've been advised that when the author's name becomes larger than the book title, it's a signal that the writing is on a downward slide. We'll keep the name small for the time being. 

Honest westerns filled with dishonest characters

Getting Top Ranking at Amazon—Easy as PW Says?

Publishers Weekly has an article that estimates the number of sales required to reach a Top 5 ranking on Amazon. Something doesn’t look right. PW estimate that as few as 300 print sales per day will win a coveted spot in the Top 5. This is based on monitoring the ranking and sales for one book for two weeks.

You can read the full article here.

Here’s why I think the estimate is off. My best sales day was 660 books for Tempest at Dawn. This occurred  after a television appearance and sales remained above 300 per day for nearly a week. Although the book made #1 in several categories like Historical Fiction, it only briefly broke through the top 100 for general sales. Also, The Shopkeeper has had spurts of very good sales, but only temporarily has broken the Top 1,000 in books. Sales would need to increase exponentially to get a Top 5 ranking.

Is it possible that the shift to e-books has so dramatically reduced print sales at Amazon that 300 sales per day would land you on top of the heap? I doubt it. It’s more likely that faulty assumptions resulted in the smallish number. We’ll never know, of course, because Amazon keeps all of its sales data close to the vest.

Featured Author on Wordpreneur

Wordpreneur has a regular feature called Peeps. These are short pieces about indie-authors and they were gracious enough to do an article about me.

“Many people claim traditional publishing’s marketing prowess is a huge advantage, but they never mention that the big houses do very little for unknown authors who haven’t committed a high-profile felony. When it comes to marketing, you’re on your own whether you traditionally publish or self-publish.”

You can read the full article here.

It all depends on how you look at it—Point of View

I’m reading a thriller from a big name author. It’s a bestseller published under a Simon & Schuster imprint. Yeah, I found a few typos and stray words, but they didn’t bother me. I miss some mistakes myself, so I’m pretty charitable. What I found discombobulating were the sudden shifts in point of view. With no warning, the reader was thrown from inside one character’s head into the thoughts and feelings of another character. These were stray single paragraphs wedged into an otherwise consistent point of view. It might just be me, but when this happens, it stops me cold.

There are three proper ways to change point of view: a section break, a chapter break, or use an omnipotent point of view. (I’m not going to address tense or first, second, and third person which should be artfully reliable throughout a book.) 

Omnipotent is when the reader regularly gets inside the thoughts and feelings of different characters. An omnipotent point of view (POV) is difficult to carry off, but with a deft hand it can be done so the reader never notices. In fact, the reader should never become overly conscious of the point of view. It’s distracting.

That’s why I prefer a fourth technique. Never change POV. My four Steve Dancy Westerns and The Shut Mouth Society use a single POV throughout the entire story. This was difficult for The Shut Mouth Society because the thriller has two protagonists. I tried switching POV between the hero and heroine, but decided that it added to the mystery if the reader didn’t know what one of the major characters was thinking.

I used a different approach with Tempest at Dawn. Since this was a novelization of the Constitutional Convention, I used POV to heighten the conflict between the opposing forces at the convention. Every other chapter alternated POV between James Madison and Roger Sherman. This allowed the reader to feel the emotions on both sides of the issues.  (I first ran across this technique thirty years ago in Kane and Abel by Jeffrey Archer.) 




It was difficult to keep the POV consistent when Madison and Sherman were together. Revisions and editing finally scrubbed out the irregularities. In the final chapter of the book, I made an exception to a single POV per chapter. Since both men were together for the entire concluding chapter, I switched to a distant omnipotent POV. In other words, I never entered the thoughts or feeling of either man, but described scenes as if a narrator was telling a story about what he observed. This is similar to a movie, where the viewer never gets to read the thoughts of a character.

People deride the errors in indie-published books, but turn a blind eye to the increasing number of mistakes that prestigious publishers allow to get into print. Sixteen years ago, when I published The Digital Organization, Wiley had the manuscript line-edited by three different editors. They told me a single editor always missed something. I suspect that economics has forced the major publishers to cut this to a single line-editor. It’s a business mistake because this is a level of quality indie-publishers can compete against.

Bad Review Got You Down—Even the Best Get Dumped On

Huffington Post Books published an article titled "Bad Reviews Of Great Authors." When you get a bad review of your work, it’s comforting to know that supposed experts hated these classics.

Wuthering Heights by Emily Bronte

"There is not in the entire dramatis persona, a single character which is not utterly hateful or thoroughly contemptible."  Atlas, 1848

The Witches of Eastwick by John Updike

"Mr. Updike’s descriptions of these magical doings are cringe-making in the extreme, not funny or satiric as he perhaps intends."  Michiko Kakutani, The New York Times

Moby Dick by Herman Melville

"... the book is sad stuff, dull and dreary, or ridiculous. Mr. Melville's Quakers are the wretchedest dolts and drivellers, and his Mad Captain ... is a monstrous bore." Charleston Southern Quarterly Review, 1852

The Great Gatsby by F. Scott Fitzgerald

"no more than a glorified anecdote, and not too probable at that... Only Gatsby himself genuinely lives and breathes. The rest are mere marionettes—often astonishingly lifelike, but nevertheless not quite alive." H.L. Mencken, Baltimore Evening Sun, 1925

Lolita by Vladimir Nabokov

"Unfortunately, it is bad news. There are two equally serious reasons why it isn't worth any adult reader's attention. The first is that it is dull, dull, dull in a pretentious, florid and archly fatuous fashion. The second is that it is repulsive." Orville Prescott, The New York Times, 1958

Leaves of Grass by Walt Whitman

"... it is impossible to imagine how any man's fancy could have conceived such a mass of stupid filth, unless he were possessed of the soul of a sentimental donkey that had died of disappointed love." Rufus Wilmot Griswold, The Criterion, 1855

The Sun Also Rises by Ernest Hemingway

“What other culture could have produced someone like Hemingway and not seen the joke?” Gore Vidal

Polish your manuscript

It is the superfluous things for which men sweat.

Seneca (c. 5 BC-AD c. 65), Roman writer

A friend of mine unintentionally changed my attitude toward revisions. He restores antique cars and starts each project with barely more than a chassis and some rusted sheet metal. With utmost care, he painstakingly replaces every single part until his recreation is better than the shiny piece of the American dream that was driven off the showroom. When he finishes, we go on a ride and I can tell he enjoys the envious looks and honks from other car enthusiasts.

After these inaugural rides, I always assumed the cars were finished, but every time I visited, he would be in the garage replacing this piece or that piece. If he wasn't installing a newly acquired part, he would be polishing nooks and crannies that no one in a standing position would ever see. Sometimes I'd come over to find that he had painted the car a different color or replaced perfectly good upholstery.

One day I asked him if he ever tired of constantly changing an already beautiful car.

"Hell no," he said. "Building the car is work. This is the fun part."

"The fun part?"

"Whenever I start a new project car, I look forward to the day when the basic restoration is done so I can perfect it . My joy is in making it flawless. I fix the little details so people love to spend time with my creation."

"But you keep working on it. How do you know when it's perfect?"

"One day I'll walk all around it, open the doors, lift the hood, examine the truck and there won't be any more changes I want to make." He shrugged. "Then I sell it and start all over again."

Now I look forward to completing a manuscript so I can tighten and polish it until there are no more changes I want to make. Then I sell it and start all over again.

How do you pick your next book to read?

I'm a compulsive reader. I read everything and I read all the time. I suspect it started when I was in the fifth grade and I spent my breakfast reading the shredded wheat box. I even read the dividers that separated the rows of three biscuits. Nabisco sponsored the television program Sargent Preston of the Yukon and my hero was all over the box and dividers. That's how I ended up owning one square inch in the Klondike. Darn, I wish I still had my deed.

You'll be pleased to know I've graduated from cereal boxes to books. First the Hardy Boys, and then mass paperbacks. I was a junior in high school when I discover nonfiction with Theodore White's The Making of the President 1960. College introduced me to classics.

In adulthood, I wandered books stores and paperback racks looking for my next read. Bestsellers lists had already down-selected which books got prominent display, and I usually picked by author or back cover copy.


The publishing world has changed. Bookstores are becoming rarer, yet there are tens of thousands of more books available. The shelf-life of a book has been extended well beyond presence on a bestseller list. Electronic books are increasingly taking over fiction and narrative prose. Old book selection tools like magazines and newspapers are withering. Literary reviews are being displaced by reader reviews.

So how does a person pick their next book to read? For me, it's easy. I carry my Kindle with me almost everywhere. Writing has crowded out my reading time, so I read in line at the airport, in my doctor's lobby, in the car as my wife runs into a store, or while eating breakfast or lunch. I also have my Kindle with me when I watch television. It's always around when I use my computer. Why? It has to do with how I pick my next book to read. Whenever I hear or read about a book that sounds interesting, I immediately download a sample onto my kindle. I do this while talking to friends, watching television, surfing the Internet, attending book events, or when reading a periodical. After I finish a book, I metaphorically thumb through my samples, usually reading a chapter or two, then select my next book. At any point in time, I probably have twenty books queued up.

Electronic reading devices have changed the publishing industry and reading habits. It has also changed the way we chose books.

1. Back copy is less important than the opening of the book 
2. Bestseller lists mean less than frequent mention on broadcast and cable outlets
3. Social media builds name recognition
4. Word-of-mouth is even more powerful

This means emerging authors have tools to compete with famous authors. More important  sales can occur a considerable time after a promotional event. Book sales are now a long-haul business. Someone might download a book sample weeks, or even months before they make a purchase decision.

In fact, you might consider downloading samples for these books.

Happy reading.

Click to download samples.