Author Wars

Writers can be a competitive bunch and can say nasty things about others in their profession. A good barb needs to be pithy and clever. Here are a few of my favorites.

 

Do teachers have no respect for writers?

The Cornishman reports that Mounts Bay Academy has banned red markers. Red ink will be replaced with green to protect the self-esteem of delicate English children. (This is already a common practice in many American schools.)

Vice principal Jennie Hick told The Cornishman: “Switching to the new marking system is certainly not about us going all soft and fuzzy. Students make more progress if it is a dialogue and the new system is designed to help that. A teacher will make two or three positive comments about a student’s homework and point out perhaps one thing that will take them to the next stage. I think it was felt that red ink was a very negative colour.”

Wow. I wonder if my editor understands that I would write so much better if she would use green ink and bracketed every correction with positive comments. Are teachers unaware how devastating it will be for aspiring writers to see their work critiqued for the first time as adults? Besides, do school administrators really believe kids can’t recognize a negative comment if camouflaged in green ink?

Nothing is more shocking to self-esteem than submitting written work to an editor.  Red ink abounds. I have learned more from editors than from classes, workshops, and how-to books. I also feel challenged to do as good of work as I am capable of prior to submittal. I would suggest future authors would benefit from unrestrained critiques presented in red ink.

On the other hand, I do like kind words.

Springtime in the Sonoran Desert

I arrived in Arizona last night with my wife. For the next two days, we’ll be staying with friends in their home surrounded by a stunning desert landscape. There are very few landscapes prettier than the Sonoran desert in the spring. I’ve been all over the world, and except for the dunes of Namibia, I believe the Arizona desert is the most beautiful in the world.

From here, we will drive down to Tucson for the Tucson Festival of Books. I’m a panelist in three sessions: Amazon for Authors, What to Expect With Self-Publishing, and Genre Writing. There will be a lot of great authors at the event and the festival ought to be fun. If you love books, there is no better place to be this weekend.

After the festival, we go to San Diego for two weeks of thawing out. There was little snow in Nebraska this year, but I could answer my wife’s question about the temperature with the fingers of a single hand. We have quests and family visiting us, but I should have plenty of time to catch a few waves.

Before returning home to Omaha, we’ll fly to New York City for 10 ten days to see our other grandchildren. My wife said something about shopping, but I’m sure I can bribe the grandkids to distract her.

When we get home after a month, our new house will be waiting. We’ll have more boxes to unpack, pictures to hang, paraphernalia to buy, and lots of handyman tasks. Maybe we’ll stay away longer, in hope that things will just sort themselves out. Fat chance.

Which bestselling author is on American currency?

Money is printed by the government, so the faces on our various bills tend to be politicians. Okay, they’re all politicians. Three were not presidents: Alexander Hamilton on the $10 bill, Benjamin Franklin on the $100 bill, and Salmon P. Chase on the discontinued $10,000 bill. Only one visage on U.S. currency was a bestselling author. In fact, this individual became fabulously wealthy because nearly every home in America owned a copy of one of his books. He also wrote a famous autobiography that has never been out of print.

Most politicians write memoirs or autobiographies to set the record straight, but Benjamin Franklin would probably have taken umbrage at being called a politician. He was a businessman, inventor, philanthropist, scientist, and writer. He just dabbled in politics. Benjamin Franklin was America’s true Renaissance Man. 

His writing made him one of the top 100 richest Americans in history. For nearly thirty years, only the Bible outsold Franklin’s Poor Richard’s Almanac, and his articles made the Pennsylvania Gazette the most successful newspaper in the colonies. Even today, schoolchildren can still recite his words. Mostly he wrote nonfiction, but he had the novelist talent for bending the truth to tell a good story. 

William Shakespeare and Charles Dickens have graced British currency, and in 2017 Jane Austen will join their ranks on the £10 note. They were fine writers as well, but here in America, the Franklin is a fine tribute to all of our great and striving authors.

Panelist at Tucson Festival of Books

The Tucson Festival of Books (March 15-16) is the largest book festival in the southwest. Featured authors include: Richard Russo, Alice Hoffman, Scott Turow, Sandra Day O'Connor, Craig Johnson, and Jacqueline Woodson. The agenda has been finalized and I’ll be a panelist in three sessions.

Amazon for Authors                                       Saturday, March 15         1:00-2:00           

  

What to Expect with Self-Publishing               Sunday, March 16            10:00-11:00        

Genre Writing                                                Sunday, March 16            2:30 to 3:30        

If you’re in the neighborhood, come on over. It’s a load of fun and I’ll be pleased to meet you, as will many other authors at the event. Book signing, author panels, industry seminars, and good food. What could be better?

Crazy Book Dedications

Nelson DeMille

The Barnes and Noble Book Blog published a list of 25 odd, clever, or humorous book dedications. Ever since Cathedral, Nelson DeMille has been one of my favorite authors. His dedication for Wild Fire is my favorite, although it’s attached to my least favorite DeMille book. I remember when Wild Fire was first published, I laughed when I read the dedication. Unfortunately, the rest of the book was a disappointment.

I have never tried to be clever with my dedications. Most of them simply state one or more family member's first names. I did get verbose with Leadville, dedicating the book in the following manner to my twin grandsons.  

For Leo and Eli

Hey boys, I finished Leadville in the hospital when you were born

The dedication for Anansi Boys, by Neil Gaiman is another favorite.

You know how it is. You pick up a book, flip to the dedication, and find that, once again, the author has dedicated a book to someone else and not to you.

Not this time.

Because we haven’t yet met/have only a glancing acquaintance/are just crazy about each other/haven’t seen each other in much too long/are in some way related/will never meet, but will, I trust, despite that, always think fondly of each other!

This one’s for you.

With you know what, and you probably know why.

Gaiman’s dedication reminded me that I used to subscribe to Forbes to see my name on the cover of their 500 Richest People in America issue. Of course it was only on the address label, but proximity to all those successful people filled me with hope for the next year. If you would like to help me fulfill my dream of obscene wealth, please buy one of my books. Thank you and I promise to dedicate my next book to you.

Can Novelist see the past better than historians?

I recently read Stephen Hunter’s, The Third Bullet, which is a novel about the John F. Kennedy assassination. Through the years, I have read a half dozen nonfiction books on the assassination. Although I didn’t completely accept the conspiracy motivation presented by Hunter, I think he made a better case for a second shooter than any of the other books on the subject. Hunter clearly sees the incongruities in the official portrayal of events, imagines alternative scenarios, and then figures out what most likely happened given the existing record. He does an exceptional job while presenting a standard Bob Lee Swagger suspense thriller.

The Third Bullet made me think: Do novelists see the past better than historians?

I’m prejudice, but I believe so. Historians search for facts, facts that can be verified with attributable sources. They need those tiny footnotes for credibility. Novelists naturally go to the character of people, especially if those people are orchestrating events. Novelists search for motivation. The novelist looks for the thread of a story, which will always be about people and what drives them. They focus on why, not what. Historians at times engage in conjecture, but good historians put plenty of qualifiers around anything that cannot be proven with hard evidence.

Everything that happens in the world is not documented. Worse, much of what is recorded is inaccurate. Politicians, businessmen, and luminaries dissemble, obfuscate, and sometimes outright lie. But if someone of importance spoke it or wrote it and it becomes old enough, it takes on the stature of a documented fact. This is where a good novelist has an advantage over the historian: what historians see as documentation, the novelist looks at with a skeptical eye. The novelist imagines the circumstances that might have caused that particular piece of evidence to be created. And the novelist does not always come to the same conclusion as the historian.

My book, Tempest at Dawn is a dramatization of the 1787 Constitutional Convention. Although George Washington was president of the convention, he only spoke one time at the very end. Since there is no record of Washington being engaged in the proceedings, most historians dismiss him as a figurehead. I looked at Washington’s character and knew he would never sit on the sidelines, especially when it looked like the entire nation was about to collapse. Once I came to that conclusion, I found ample evidence of him working behind the scenes. Why would he work secretly? My guess is that he didn’t want to appear to be architecting the new government he would undoubtedly lead. I could be wrong … but I don’t think so.

I believe a good novelist can digest facts, get to know the character of the players, and draw respectable conclusions about what probably happened. The novelist can make leaps of logic that would tarnish the reputation of an academic scholar. It’s true that many novelists throw facts to the wayside and tell the story the way they wanted it to happen. Stephen Hunter is not one of those types of authors. His books are fictional, but grounded in solid research.

Here’s the bottom line, authors can’t write novels about historical events without historians, but historians can get along quite fine without novelists. So, thank you to all the historians who have helped me write better books.

Six Makes Magic

My wife and I just finished a perfect vacation in Southern California. Our daughter and son’s families have returned to their homes and everything is now calm and still. What a drag.

Right after Christmas, we flew to San Diego with our daughter’s family, and on New Year’s Eve, we all met up with my son’s family in Laguna Beach. Six grandchildren together. The cousins are between four and ten and they greeted each other with wild enthusiasm … an enthusiasm that never abated over the entire four days. Boy, I want that kind of energy again.

The warm and sunny weather made a perfect respite from the storms lashing our homes in New York and Nebraska. My daughter’s husband went on a Steve Dancy marathon, reading three of the four books in the series. He runs a demanding construction supply business and has difficulty finding time to read with three kids jumping all over him when he gets home. I was flattered he enjoyed the books, and glad he could relax with some of my best friends.

Honest westerns ... filled with dishonest characters.

I had a reading marathon of my own. I rediscovered a favorite author. I read two Stephen Hunter novels and started a third. It had been over a decade since I had read one of his books, and I had forgotten he was an exceptional storyteller and gifted writer. It’s rare nowadays for authors to keep doing top notch work once they have scaled the bestseller lists. When millions of dollars are at stake, deadlines become brutal. Stephen Hunter is an exception. His latest book, The Third Bullet is as well written as his first Bob Lee Swagger novel.

One of my great joys in life used to be reading novels. Since I started writing fiction, I have become so critical it interferes with the pleasure of reading. Instead of being emerged in the story, I keep seeing plot holes, meandering points-of-view, outright errors, sloppy research, and lazy writing. This is not the case with Stephen Hunter books. He writes with a no-nonsense style, moves his stories forward with a sure hand, and polishes the narrative to an impeccable shine. As a Pulitzer Prize winning movie critic, he was required to have a firm understanding of characterization, plot, and pacing. Oh yeah, he also had to know how to write good prose lickety-split.

So, while you wait for the next Steve Dancy Tale, try a Bob Lee Swagger tale. (You can start anywhere since Hunter does a good job of making each book self-contained.) 

Panel Speaker at the Tucson Festival of Books

I've been invited to be a panelist at the 2014 Tucson Festival of Books, which will be held March 15 and 16. The Festival will be held on the campus of the University of Arizona.

I'm honored because this is the largest book festival in the Southwest. At the moment, I'll be on four panels, but the agenda won't be finalized until the first of the year. If you are in the vicinity—or not—you should plan on attending. 120,000 people attended last year. It's a fun event and a great opportunity to meet and hear your favorite authors. You can see who has already committed by visiting the Tucson Festival of Books website.

I hope to see you there.

Opening a story—First, grab their attention

It was a cold and windy night.

Laura Borealis has published a blog article on TheTen Worst Story Openings. As I've mentioned previously, I open each of the Steve Dancy Tales with a number that is actually the sequence number of that particular novel in the series. I don’t know if that’s good or bad, but it's merely the opening word. I normally jump into the middle of a conversation. My intent is to make the reader curious about what the characters are talking about.

As an example, here are the opening lines of Leadville. The idea is to convey that something is about to happen and it is vitally important.

“Three.”
“Days or weeks?” I asked.
“Days.” Jeff Sharp squinted at the telegram as if it hid additional information. Rubbing the back of his neck, he added, “He can’t make it. It’s a six-day ride.”
“If Captain McAllen says he’ll be here in three days, we’d better have a room ready for him.”

Here is an example from my latest work, Jenny’s Revenge. The idea here is to start the book with tension and tell loyal fans that Steve and Virginia are together.

“Six.”
I recoiled. “Six dollars per night?”
“Yes, sir.”
“May I see the suite?”
Virginia squeezed my arm. “It will be perfectly fine.”
I never took my eyes from the clerk. “I’m sure, but I’d like to see it just the same.”

Are these great openings? I don’t know. I only know that I like to get the story moving from the gitgo. How about Borealis’ terrible openings? I agree with them all … except every one of these rules can be violated on occasion. In Tempest at Dawn, I simultaneously violated #1, #2, and #6. The opening lines of my prologue are:

Anxiety woke me before dawn. Rolling to my side, I pulled the heavy quilt around my exposed ear. Was I ready? Had I prepared sufficiently? Would the old man reveal what I had come here to learn? He was stubborn and had frustrated many before me.

The prologue was my agent’s idea and I believe it worked for this novel. A few reviewers disagreed, but they appeared to object because they had heard the oft repeated rule to avoid prologues. Generally, this is sound advice, but prologues can perform a positive function if they don't violate other guidelines of good writing. For example, show instead of tell still applies.

I don’t remember violating any of the other seven“Worst Story Openings,” so there appears to be a lot of work ahead of me.

If you bought print copies of my books from Amazon, get a Kindle version for 99¢

Many people are unaware that Amazon has a program called Matchbook. If the publisher enrolls their books in the program, Amazon purchasers of print books can get an Kindle e-book version for a steep discount. The price for Matchbook must be between zero and $2.99. All of my books have been set at 99¢. This means if you have ever bought one of my print books on Amazon, you can now pick up a Kindle version for less than a dollar. 



Here is a link that will display all of your eligible titles.  

You'll see all the books you've purchased that are enrolled in this program, but I'm sure you'll jump on my books first. If not, maybe second? Anyway it's a good program, especially for people who have made many purchases through the years, but have only recently acquired a Kindle. 

Happy reading.

I'm not one of them!

Some people are visual. I'm not one of them. But I appreciate good design, even if I'm incapable of drawing a straight line with a ruler. In school, I took drawing and drafting. I received a dubious C in both. (I did better in English and history.)

Writing and design come together in book covers. Every book, even an e-book needs a cover. And people really do judge a book by its cover. (See Judging a Book by its cover.) I'm always interested in cover design because book covers are so key to book sales. Flavorwire has done a fun piece on 75 Vintage Dust Jackets of Classic Books. Here are a few examples that struck my untutored eye.

Not included in the Flavorwire article, but still one of my favorites.

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Book cover ... by design

Vintage Photograph to Western Book Cover

These Guys Will Kick your Butt

Storytelling made dead simple

Aspiring writers frequently agonize over words, sentences, and paragraphs. They want to get every piece of it right. Because they admire great writers’ style and distinctive presentation, they believe the technical aspects of writing are foremost. They are not.  Storytelling is foremost. If you don’t believe me, listen to Kurt Vonnegut on the Shapes of Stories. Here is one of the best writers of the 20^th century telling us how to compose a story.

Pablo Picasso

Great writers first understand the art of storytelling, and then concentrate on telling it in a fresh and pitch-perfect manner. The painting to the left is a portrait of Pablo Picasso’s mother, painted by her son in 1896. All of her features appear to be on the proper side of her face. This was not an isolated Picasso painting. Before shaking up the art world with George Brague, Picasso mastered the craft of figurative painting. For Picasso—and most great authors—a thorough understanding of how to use their medium came before experimentation.

The basics of storytelling are simple. I was taught that in the first fifth of the book, you get the protagonist up a tree. In the middle section, you throw rocks at the protagonist. In the final section, you get the protagonist out of the tree. This sounds simple and close to what Vonnegut advises. It’s surprising how such a simple formula creates an interesting story. After all, no matter how pretty your sentences, you must keep the reader interested or he or she will wander off to parts unknown.

Indie Publishing Rewrites Promotion

Kim McDougall of Castelane, Inc. recently wrote to  ask for permission to re-publish on the new Castlelane website an article I wrote for Turning Point .  I agreed, but in rereading the article, I decided it could use an update. Here is the revised article.

There’s not much you can believe about indie-publishing.  Information from indie-publishing houses is suspect, and most of the other data comes from people who make their living off striving writers.  As someone who has published with a traditional house and indie-published, I’ll try to give you the straight scoop.

First, I Indie-publish by choice.  It didn't start out that way, but now I’m convinced that indie-publishing is the best route for me.

My first book was published by Wiley.  It was an agented, non-fiction book.  After I completed my first novel, Tempest at Dawn, I secured a different New York agent that specialized in fiction.  While the agent shopped my lengthy, historical novel, I wrote a genre Western titled The Shopkeeper.  Since the typical advance for a Western wouldn't make a decent down-payment on a Nissan Versa, my agent declined to represent it.  No problem, I’d indie-publish.

Currently, my novels are in print, large print, audio, and e-book formats.  My large print and audio contracts are traditional contracts with advances, so I still have a foot in each world. I’m making money, but what is more important, my platform continues to grow.  (My agent didn’t sell Tempest at Dawn, so I ended up indie-publishing it as well.)

Why I Stay with Indie-Publishing

That’s how I started indie-publishing, but why do I stay with it after building a respectable platform? Three reasons:  speed, income, and control.

Jane Austen is finally in the money

I guess it would be more accurate to say Jane Austen is on the money. I’m proud of her since she didn’t make a fortune with her writing while she was alive. Starting in 2017, the author will be the image on the ubiquitous £10 note. If authors didn’t self-doubt enough, now they won’t receive full validation until their visage is in everyone’s wallet or pocketbook.

Pride and Prejudice Quote on note - "I declare after all there is no enjoyment like reading!"

Evidently, there was a hue and cry by Caroline Criado-Perez to have more women on British currency. To heck with that, what about authors being eulogized on the most important thing in many people’s lives? Ms. Austen is actually the third writer to grace a British note. William Shakespeare and Charles Dickens preceded her. And how many authors have been on United Sates Currency? None. That’s right, none. Politicians hog all the space. William McKinley has even graced the $500 bill. Now, I ask you, who has done more for Americans, William McKinley or Mark Twain?

Whoops, I just realized something. One of the top selling authors of all time is on American currency. His books were the number 2 bestseller for twenty-six years. (The Bible was number 1.) His writing made him one of the top 100 richest Americans in history. Every school kid can recite his words. It’s easy to forget that Benjamin Franklin was one of the great authors of all time and that there were few homes in colonial America without a copy of Poor Richard’s Almanac. In fact, Ben is not only on the $100 bill, it is popularly called a Franklin. So we do have a great writer on our money. Take that England.

Related Posts

Jane'sFame, How Jane Austen Conquered the World

JaneAusten's Unpublished Work

Top 10 Western Books

 Reading Cowboy Statue, Azle, Texas

American Cowboy magazine has listed the top 10 Western Books, plus a few also-rans from the same authors. Many of these novels were made into classic films, which shows that good storytelling can be adapted to multiple mediums.

By the way, I searched through the list twice, but never found any of the Steve Dancy Tales. I'm sure this is an oversight that will be corrected in the next list. 

Actually, I believe they compiled a fine Top 10. I've read 8 of the 10 ... an omission I'll correct shortly.

Illustration by Zachary Pullen

Jane Austen's Unpublished Work

I’m a Jane Austen fan. That probably seems odd since I’m male and write Westerns. The Wild West and English countryside have little in common. But I’m talking about writing, not venue. I admire great dialogue and consider Jane Austen the champion. (My books tend to be dialogue driven, but I don’t consider myself in the same league with Ms. Austen.) 

Although good description is essential, I seldom find myself stopping to admire a piece of prose describing the landscape. But perfect dialogue stops me every time. My fascination with dialogue probably comes from my own inept retorts. I always think of the right thing to say hours later. Writing novels, I can return to a scene and insert a whiz-bang snippet of dialogue any time I want. Fiction is great.

The mantra of writing is show, don’t tell. Dialogue is an effective way to show character. Here is an example from Pride and Prejudice. This is the reader’s first introduction to Mr. Bennet.

Mrs. Bennet says,

"Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion for my nerves' "

"You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least."

In fifty-eight words, Austen has gone a long way in showing us the character of two major figures in her story. 

I bring Austen up because I found a website with her unpublished work in both manuscript and transcribed formats--side by side. Most of this is not her best work, but writers and Austen enthusiasts may find it interesting. You can find it here.

Related Posts:

Jane's Fame, How Jane Austen Conquered the World

Would You Care for a Slice?

Mistakes Aplenty

Hi, I'm looking for a Bible for my mother but I'm not quite sure who the author is

Here are three sites that allow us to laugh at other people's mistakes. Everyone makes mistakes. I know I've made more than a few. Although it's great therapy to be reminded that other witless people abound, I fear one day I'll open an article to find my own mistakes broadcast to amuse the world. So far, I've escaped this humiliation but it remains a fearsome nightmare.

Witless Questions Customers Ask in Bookshops 
(The comments outdo the article examples)

Query Letters From Hell

What NOT to Do When Beginning Your Novel

Book Cover ... by Design

Book cover design is an art ...and I am not an artist. At least, not a visual artist. Previously, I posted a mock-up of the book cover for The Return, A Steve Dancy Tale. The cover I chose was one of twenty-two different mock-ups. Here are a few of these rough prototypes.

The prototype we choose is on the left below, with the final cover to the right.

The cropping, typeface, and coloration were refined. This is a famous 1887 New York City photograph by Jacob Riis, titled Bandits Roost. I especially like Steve Dancy's shadow in the foreground.

Here are the covers for The Steve Dancy Tales. As with any series, there is a consistency in the design. Among other things, all of them use vintage photographs from the period. I'm a little disappointed in the size of my name, but I've been advised that when the author's name becomes larger than the book title, it's a signal that the writing is on a downward slide. We'll keep the name small for the time being. 

Honest westerns filled with dishonest characters

Get a Spine!

The spine is the most undervalued aspect of book design. This is especially true today, when so many indie-books only publish electronically. Writers are doing themselves a disservice by restricting the market for their books. Granted, the majority of my sales are eBooks, but I also sell a respectable number of print books. I do well with libraries, and despite not pursuing bookstores, I've found my novels carried in the big chains and independent stores. Additionally, some readers who prefer electronic books still look to see if there is a print version to strengthen their purchase decision. My recommendation is that authors insist on a printed version. 

If a print format is produced, then a book becomes a three-dimensional object and must have a back cover and spine. The spine is the most important.

Unless you’re a bestselling author, your books will not be stacked on tables at the front of the store, so only the spine will be seen when your book is on a shelf. The same is true for a library. If you want to sell your next book to a library, people must find and check-out your previous books. So pay attention to the spine. Getting sales is tough enough without your book disappearing in a maze of other books screaming for attention.