I just spent a week writing and surfing in San Diego. The
writing went well, the surfing not so much. The weather was crappy for three
days and I was crappy the other five. My mind tells me what to do, but by
the time my body reacts, it’s too late. Surfing needs to be an unconscious
reaction. When you think, you get cold water down the back of your wetsuit. Actually
I had a few decent rides, but nothing to write home about.
Speaking of writing, The Return is in its final revision before professional editing. I start each
day by revising what I wrote the prior day, so by the time I complete the manuscript
I think of it as a second draft. Then I go through it one more time on my
computer. I make revisions, but this third pass is primarily for continuity,
clarity, and crispness. I've now completed this step for The Return, A Steve Dancy Tale.
My next step takes me to Staples where I print four
copies. Three copies go to ornery people who will give me honest feedback.
(Okay, one is my wife. She’s not ornery. I didn’t mean that. Really.) The last
copy is for me. I use a traditional red pen and really scrub the printed
version.
I always see odd and outright embarrassing things when I
review a printed version. There is something about ink on a page that is totally
different from a backlit screen. Stuff jumps out on a page where the eye glides
over it on a computer. When I finish my review, I consolidate all the revisions
from the four copies. It surprises
me that obvious problems are often missed by one or more of my reviewers. I’d
like to think it’s because they got lost in the story, but it’s probably human
nature.
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Professionally Format e-books |
How long before the book is ready for the general public?
Months, I’m afraid. The next step will be professional editing, and then my
final review of all of the recommended changes. This is an important step
because I've been separated from the book for a while, which allows me to see
it with fresh eyes. Along with accepting/rejecting line-editing, I frequently
make adjustments to the plot. In the meantime, a cover needs to be designed and
finalized. A designer needs to lay out the interior, back cover, and spine. The
back cover includes a synopsis or elevator pitch for the story. This tantalizing
piece of copyrighting will eventually be the book description displayed by online
sellers. After every change is incorporated and the interior layout complete, a
proofreader scrutinizes the modern equivalent of a galley proof. Now, it’s off
to the printer … but not eReaders. The last step is professional eFormatting.
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Front, spine, and back cover design |
I’m involved with every step, but I prefer professionals do
the design, editing, proofreading, and formatting. I’m just no good at it. I’m only
a storyteller.