Many seem to believe if they just got a proper set of instructions,
they could be a good writer. Many famous writers like Mark Twain, George
Orwell, and Elmore Leonard have even provided aspiring writers a list of rules. Here is a Writing Tips PDF that collects rules
from George Orwell, Edward Tufte, Strunk and White’s, and Robert Heinlein. I
especially enjoyed Evil Metaphors and Phrases. These clichés are definitely cringe
worthy, if I can be allowed to use yet another cliché.
(Here is my collection of writing advice.)
(Here is my collection of writing advice.)
There's a problem with all of these lists. If hard
rules were all that was necessary to become a great writer, then we’d be awash
in breathtaking literature. We have
writing tips, rules, and guidelines aplenty, yet they don’t seem to convey the
masters’ magic. What gives? All of the rules are good writing advice, but first there must be compelling content.
I used to golf
until I realized I pretended to enjoy the game. Prior to making this
discovery, I took a lesson with two friends from a teaching pro. We spent about
two hours on the range and putting green. Lots and lots of tips and advice. My
head was swimming. I couldn’t get my grip right for fear my backswing was too
fast.
The all-day lesson included a round of golf with the teaching pro. We
presumed he would critique our play as we went along. No way.
On the first tee, he told us he wouldn’t comment on our play until we were ensconced in the clubhouse for refreshments. He said we should forget everything he had told us. Forget it all. His advice was meant for the driving range and putting green. He reiterated that as we played this round, we were not to worry
about grip, swing, or stance. We should concentrate on one thing and one thing
only—keep our eye on the
ball. Simple. Keep focused on the primary basic of all the basics. It was a fun round
of golf with one of my lowest scores.
My point is that when you write a first draft, forget the
rules. Focus solely on the story. Telling a great story is the real magic the masters have mastered. Don’t pull out the rules until
you start the second draft, then use them ruthlessly on the third and fourth draft. Hone and polish your manuscript until it’s as bright and shiny
as a new penny. (Sorry, I couldn’t resist
closing with an “Evil Metaphor.”)