Last Friday, I received my annual statement from my large-print publisher. When I entered the sales into my ledger, the total copies of my books sold went over 50,000. Whoa! That may not be a number that would impress a New York Times bestseller, but it's a big number for someone like me who didn't start gifted, famous, or notorious. The best part is that my sales keep improving. It seems I'm gathering a bigger audience all the time.
When I started writing fiction, I was just an ordinary business guy who had written lots of technical nonfiction. I started writing fiction to escape the tensions of the day. Ten minutes at my keyboard and I was transported to another time and place. That was a reward in and of itself, but people I don't know have joined me in my stories. That is the greatest reward of all. Writers may love to write, but they really love to be read. So, thank you. I appreciate the company.
Monday, November 12, 2012
Friday, November 9, 2012
Our Constitution Rocks by Juliette Turner
"This is an important book," is a cliche of the publishing industry. Nonetheless, Our Constitution Rocks is an important book. Understanding our constitution is important for every citizen, but crucially important for the young who will lead our nation in the decades ahead. If you're an adult, you can also take my wife's advice and start your own study of the Constitution right here with this book. In fact, there's probably few better ways to spend some time with your child. The Constitution is every American's birthright. We should take it out from under glass and examine it at every opportunity. Juliette Turner has done our nation a service.
In the interest of full disclosure, I was on a Glenn Beck program with Janine Turner and met Juliette at the taping. Since then, I have written articles for Constituting America, which was founded by Janine Turner and Cathy Gillespie. You can watch Juliette Turner read one of my essays below. Despite a distant professional relationship, I highly recommend this book and hope that many parents give a copy to their kids for Christmas.
Thursday, November 8, 2012
The Internet is right ... except when it is wrong.
I made a significant error when writing Principled Action, Lessons from the Origins of the American Republic. I attributed a quote to James Monroe that was actually written by James Madison. When it was pointed out, I couldn't believe it. I had a solid source, the manuscript had been fact checked, footnoted, edited, and proofread. Through Google Books I discovered a James Madison paper that was the true source of the quote. About a third of the references in a Google search attributed the quote to Monroe. (You're right, that means two thirds of the references said it was Madison. Alarm bells should have gone off.)
Darn. How does that happen? Through some additional research, I found the source of the error. Around 1900, a historian had written a serious academic book and mistakenly attributed the quote to Monroe. An easy error. The two neighbors share the same first name and the last names have similarities. The historian probably had a momentary lapse in memory and his editors missed the mistake. From that point forward, anyone who didn't go back to the original source document had a high likelihood of propagating the error.
I'm bring this up because I did the presentation on the hazards of internet research.
(This link will take you to some fun wisdom on the Internet.)
The Internet may have accuracy issues, but relying on nonfiction books can lead a writer up the garden path as well. I guess if there is a moral to the story, it's that a careful writer should not rely on secondary sources unless absolutely necessary.
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| An eBook can be corrected fast. |
I'm bring this up because I did the presentation on the hazards of internet research.
(This link will take you to some fun wisdom on the Internet.)
The Internet may have accuracy issues, but relying on nonfiction books can lead a writer up the garden path as well. I guess if there is a moral to the story, it's that a careful writer should not rely on secondary sources unless absolutely necessary.
Tuesday, October 30, 2012
Writers say the darndest things.
I think I did pretty
well, considering I started out with nothing but a bunch of blank paper.--Steve Martin
Writing a book is a
adventure. To begin with it is a toy and amusement. Then it becomes a mistress,
then it becomes a master, then it becomes a tyrant. The last phase is that just
as you are about to be reconciled to your servitude, you kill the monster and
fling him out to the public.--Winston Churchill
Some editors are
failed writers, but so are most writers.--T. S. Eliot
When a book, any
sort of book, reaches a certain intensity of artistic performance it becomes
literature. That intensity may be a matter of style, situation, character,
emotional tone, or idea, or half a dozen other things. It may also be a
perfection of control over the movement of a story similar to the control a
great pitcher has over a ball.--Raymond Chandler
No iron can pierce the heart with such force as a period
put just at the right place.--Isaac Babel
A tired exclamation
mark is a question mark.--Stanislaw Jerzy Lec
Any word you have to
hunt for in a thesaurus is the wrong word. There are no exceptions to this
rule.--Stephen King
I'm all in favor of
keeping dangerous weapons out of the hands of fools. Let's start with
typewriters.--Solomon Short
In a thousand words
I can have the Lord's Prayer, the 23rd Psalm, the Hippocratic Oath, a sonnet by
Shakespeare, the Preamble to the Constitution, Lincoln's Gettysburg Address and
almost all of the Boy Scout Oath. Now exactly what picture were you planning to
trade for all that?--Roy H. Williams
Success comes to a writer, as a rule, so gradually that it is always something of a shock to him to look back and realize the heights to which he has climbed.--P. G. Wodehouse
A writer should have another lifetime to see if he's
appreciated.--Jorge
Luis Borges
Tuesday, October 23, 2012
Did pirates say “Arrrr, Matey?”
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| Robert Newton |
Writing good dialog is hard. It’s especially hard for historical
fiction. How did people talk in some long ago period? A writer can get a hint
from historical writing, but only a hint. People—at least prior to email and texting—wrote in a
much more formal style than they spoke. As recently as twenty years ago, people
wrote striving for grammatical correctness and they generally shunned slang they might use verbally.
Another challenge is to make every character sound different. Beyond personality
differences; women, men, and children don’t talk the same. If every character
speaks similarly, dialogue becomes akin to a vegan gluten-free green smoothie—boring in
large doses.
The best way to give each character a distinct voice is to have a firm
grasp of the character’s personality. Really know your characters. Allow them to
speak for themselves … and if they happen to say something out of character,
erase it.
The top goal of fiction writing is to move the story forward. This
means dialogue should not interrupt the forward progress of a story. This argues
for not going overboard on regional or historical accents. A reader should never
stop to sound out some unusual speech pattern in order to figure out what the
character said. For the most part, it’s better to offer hints of a bygone era
rather than attempt to replicate it accurately. A light touch is almost always
best. One of the great historical novels is Pillars of the Earth by Ken Follett. Read the book again for the language. You might be surprised. For the most part, it is written in modern English.
Oh, one more thing. In the early 1950s, Disney produced Treasure
Island and Blackbeard the Pirate, with Robert Newton playing the
lead role in both films. Newton also played Long John Silver in the TV series. In
his portrayals, Robert Newton invented what became an iconic pirate dialect,
including, “Arrrr, matey.” Was it accurate? Who knows, but it was entertaining …
and understandable.
Monday, October 15, 2012
Single-Tasking—The Ultimate Luxury
An article
in the Wall Street Journal got me thinking. Single-tasking has become a luxury. L. Gordon Crovitz's article is titled “How the Internet saved the Novel.” He writes, “Engaging with a novel … requires rare focus in our
information-snacking lives.” Crovitz concludes with, “The more time people spend tracking fleeting pixels on digital
screens, the more they seem to yearn for something else. The well-crafted novel
is more alive than ever.”
In this
multi-tasking world, nothing can be more relaxing than having only one thing on
your mind. Getting lost in a really good story does the trick. Sit down and
single thread a novel for a quick break from the travails of everyday life. You
can do it anywhere, any time, and for as long as the world allows. You will be
instantly transported to another place, another time, and another set of lives.
What could be better than that?
What would
be better would be reading a great novel in the perfect place. Like Lake Powell,
for instance. With more coastline than the state of California, you can always
find a private nook with nobody around and stone cliffs make cell and radio communication
impossible. Good novels, water toys, and Lake Powell. The ultimate modern day vacation.
Relax. No one can get in touch with you, no can interrupt your reading, and no
one can demand that you do three things at once. Unless you bring the kids, but
that’s another story.
Wednesday, October 10, 2012
A Rude Awakening
In the olden
days—like maybe four years ago—Kindle and Nook readers were fairly tolerant of
formatting errors. The technology was brand spanking new and early adopters
always accept a few lumps with hot innovations. Times have changed.
The cost of eReaders have collapsed and, in many categories, ebooks outsell the
old fashioned print variety. Readers have also become more demanding. They want
their ebooks professionally formatted so they're never distracted from the
story or subject matter.
For the most part, I
write novels. My latest book, Principled
Action, Lessons from the Origins of the American Republic, was
non-fiction. Since it had a table of contents, index, footnotes, illustrations,
and section headings, I had it professionally formatted for every eReader on
the market.
I thought my novels
were different. They were narratives with only chapter breaks to interrupt the flow of words. In fact, I
had sold tens of thousands with nary a complaint. Occasionally, I would do an
update when I became aware of an indentation problem or a stray character that
defied interpretation, but these were rare.
Then I got an email
note from Amazon saying a reader had complained that one of my novels did not
include a Table of Contents. Amazon concurred and suggested I add one. At first
I thought this was odd. I don't have chapter titles, so the TOC would merely be
a numerical list. Granted, it could be
navigation tool, but would it really be that helpful in a
straightforward novel? Then I checked the five novels I had backlogged to read
on my own Kindle. Each had a table of contents and most were only a numerical
list. Darn. Times had changed and I hadn't kept up. What else was I missing.
Were there other glitches that would jerk my readers out of the story and back
to reality?
Since I was busy
getting Steve Dancy out of trouble once again, I didn't want to invest the time
to insure that my six Kindle books were completely up to snuff. My solution was
to go back to my non-fiction book formatter. I used "eB Format" and like
the first time, my experience was excellent. The job was done with an expertise
that would have taken me at least weeks to learn, and they were reasonably
priced and quick. If you have ebooks that need added features or need a thorough scrubbing for format
glitches, I highly recommend eB Format. Click on their logo if you would like
to visit their site.
Tuesday, October 2, 2012
Buzz Feed' s Collection of 30 Writing Tips
This is a fun posting on Buzz Feed. Some very good advice, as well.
Before you become too enamored with other authors' perspective on the craft, I'd like to add this piece of advice from Raymond Chandler: "Everything a writer
learns about the art or craft of fiction takes just a little away from his need
or desire to write at all. In the end he knows all the tricks and has nothing
to say."
Link to Article
Before you become too enamored with other authors' perspective on the craft, I'd like to add this piece of advice from Raymond Chandler: "Everything a writer
learns about the art or craft of fiction takes just a little away from his need
or desire to write at all. In the end he knows all the tricks and has nothing
to say."Link to Article
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