Tuesday, February 27, 2018

Leadville Laurel comments on my book Leadville

"Author/Blogger James D. Best found me on the web and sent me his novel Leadville: A Steve Dancy Tale (2nd in a series) to review! I haven't yet posted my review on my website, but I can tell you that even if I weren't living in Leadville, I'd still love this Wild West mystery adventure! Best's writing style is a romp, and he nails the dialogue. Two thumbs up!"

Tuesday, February 20, 2018

Friday, February 9, 2018

Blade Runner vs. Blade Runner 2049

Blade Runner 1982

Blade Runner 2049

IMDB users rate Blade Runner 2049 at 8.2 out of 10. Pretty heady rating for IMDB. I’m aware that anyone who preferred the original gets dissed as an ol’ fogey. I fall into the old category, but don’t admit to the fogey part. Nevertheless, I will go on record as preferring the original. (Both films scored 8.2)

My reasons are from a different perspective than most. Admittedly, film is an art form and presentation certainly plays into the craft. From a visual perspective, I might even give Blade Runner 2049 the edge. It paints a dystopia world with deft precision. Where it falls behind the original is the crux of good storytelling. Bad guys gotta be bad.

In the original movie, Rutger Hauer portrayed Roy Batty with relentless malevolence, yet managed, in the end, to elicit compassion for his character. Batty was a worthy rival, who transitions into a sympathetic victim. A fine piece of acting, that.

Luv vs. Roy

On the other hand, Sylvia Hoeks plays Luv like a high school mean girl, and the script resorts to clichés to portray her evilness. For example, when Luv stomps on K's mobile projector to kill Joi, it reminded me of a B-movie where the antagonist kicks a dog to convey dastardliness.

And then when Luv finally dies, we think, oh good, it’s over. When Batty dies, we weep.

I’m prejudice, of course. I believe the art in storytelling requires an antagonist that presents a heavy challenge to the protagonist. Heroes need villains to be heroic. We want the protagonist to win, but he or she keeps losing until just before the curtain falls. The tension comes from uncertainty. Even though we’ve seen story upon story, each time we are transported to another place and time where the villain might actually win. Sometimes, we get a reveal at the end that turns the protagonist’s victory poignant. A neat trick, when done right, and the original Blade Runner pulled this off with panache.

And that’s why I prefer the Blade Runner 1982.

Monday, January 29, 2018

Back from a vacation of surfing and writing

I took a break from social media for about four months. Fatigue, I guess. I wanted to write, enjoy my family, and surf.  The writing and family went great. The surfing so, so. I still get rides, and occasionally good rides, but embarrassments are less occasional.  I’m with Hobson in the movie Arthur. On his death bed, Arthur asks, “Do you want anything?” and Hobson replies, “I want to be younger.” My birthday is coming up, but asking for youth as a birthday gift seems contradictory.

John Gielgud as Hobson in Arthur

The first draft of Deluge is complete at long last. Actually, the second draft, but who's counting? This is a disaster story and since I had never lived through a disaster, I had to do a lot of research. It was a fun book to write, and I'm confident you'll enjoy it. Unfortunately, it will be many months before it makes it through the remaining steps to publication. 

In the meantime, Crossing the Animas is now available from Center Point Publishing in a hard cover, large print edition. Libraries are the primary market for this format, but it would make a dandy gift for some of us older guys who like our print large and our stories larger.

Now in large print, library binding

The Steve Dancy Tales
Honest westerns filled with dishonest characters

I'll return sooner next time. Have a great 2018!

Wednesday, December 6, 2017

Godless—A Review

A character and dialogue driven western, Godless presents a traditional plot with some fresh twists, served up with an appropriate balance of action. (Godless is a Netflix original mini-series.) A good script, excellent acting, appealing filmography, and a focus on storytelling makes Godless an excellent addition to the Western film genre.

Here's a good review at Columbus Underground

Thursday, September 28, 2017

Can Tasteful Nudes Save an American Icon?

I write westerns partly because I want to preserve our frontier heritage. (I also write them for fun and profit.) Recently, I encountered someone who is preserving the Old West in a much more concrete way. Laurel McHargue and her cohorts are raising money to preserve the Tabor Opera House in Leadville, Colorado.

Listed on the National Trust for Historical Preservation, the Tabor Opera House is a unique artefact of our frontier culture.
Known as “the most perfect place for amusement between Chicago and San Francisco,” this unique and historic opera house is poised to once again become a vibrant community asset in a transitioning mining town nestled amongst Colorado’s highest peaks.
Built in 1879 in a mere 100 days by mining tycoon Horace Tabor, the opera house stage has been graced by entertainers such as Oscar Wilde, Harry Houdini, and Judy Collins.
The opera house has been minimally and seasonally operated for decades and suffers from deferred maintenance due to lack of resources. A full rehabilitation is estimated to cost up to $10 million, a hefty lift in a small mountain town of 2,600 people. The future of the building is uncertain as the National Trust and partners work to transition its ownership structure.

I have a kinship with this project because Horace Tabor has a walk-on in my book, Leadville. Further, the proof-of-life note for Captain Joseph McAllen's daughter was written on the back of a Tabor Opera House broadside.

Laurel McHargue organized the Leadville Literary League. These brainy women noodled how to raise money to preserve the most important historic building in this once-prospering mining town. In the end, they took their inspiration from the 2003 film Calendar Girls.

You can get sneak peek under the covers in this Calendar Girls Video Trailer

You can help save the Tabor Opera House by pre-ordering your 2018 historic calendar at http://leadvillelaurel.com/ or by contacting Laurel McHargue (laurel.mchargue@gmail.com) for an order form!
  They’ll be the most unique gifts you can buy for all your 2018 gift-giving needs!
All net proceeds from sales of this calendar will be donated to the Tabor OperaHouse Preservation Foundation to save and restore this beautiful 1800s Opera House

Here's an even better idea. The calendar cost is $19.95, but if you can pledge $25 to the project on Kickstarter, you'll receive a calendar as part of your pledge. For only five dollars more, you become a patron of the arts.

Honest westerns filled with dishonest characters.

Excerpt from Leadville:

“Jeff, he ripped a Tabor Opera House flyer off the wall.”
“It went up yesterday and advertises Anna Held. If she writes her note on the backside, it’ll prove she’s alive as much as her pen hand.”
“She’s alive. Otherwise they wouldn’t agree to get a note from her.”
“But once they’ve given us the letter, do they have any reason to keep her alive?”

Wednesday, September 6, 2017

National Read a Book Day

Thou shalt not is soon forgotten, but Once upon a time lasts forever. Philip Pullman

One of these should do nicely.

Tuesday, September 5, 2017

Did McDonald's invent fast food?

I recently watched The Founder with Michael Keaton. I enjoyed the film. It’s an interesting character study and does a good job of telling the McDonald’s story. (I personally think McDonald’s has lost its way, but no worries, In and Out Burger picked up the business model and did it one better by delivering great burgers.) The story, of course, is about the invention of fast food, the bane of the calorie conscious the world over.

However, the concept of fast food reminded me of something I ran across in my research for The Shopkeeper. I wanted to make my western series different from the norm, so I focused on miners instead of cowboys and other traditional icons of the frontier. Mine workers start early in the morning, and I discovered they frequently ate biscuits standing up in a saloon.  This may be the real start of fast food. (McDonalds just slapped egg, sausage, and cheese inside the biscuit.)

Here’s how I used that tidbit of research in The Shopkeeper.
Other meals I eat for fuel, but I dawdle over breakfast—and Mary cooks a hell of a breakfast. Mary ran the restaurant across the street from my ragtag hotel. It was not a restaurant in a New York sense, but nonetheless it was the best place to eat in Pickhandle Gulch. Her small building, plank floors, and long tables were all made from unfinished lumber, but a few touches like lace curtains had softened the rough appearance. Breakfast for miners usually consisted of biscuits eaten standing up in some stale-smelling saloon. Not fancy, but quick. They needed to get to work. Mary catered to the mine owners, town merchants, and people like myself, who had the time and money to eat a slow, hearty breakfast.
As I entered her tidy café, the aroma pulled the trigger on my appetite. I took my usual seat at a table by the window, and Mary sauntered over with a cup of black coffee that suspended its own little cloud of steam above the rim.
“What’ll ya have today, Mr. Dancy?”
“Everything it is—over easy, crispy, and soaked in grease.”
“You got it,” I said.

Hey, I like that: Risk taker, Rule Breaker, Game Changer