Cowboys are cool. Cows, not so much

“A mine is a hole in the ground, owned by a liar.” Mark Twain

I recently saw a college friend for the first time in decades. He seemed surprised to learn I wrote novels. I guess I need to work on that world famous part. 

“What do you write?” he asked.

“Westerns.”

He immediately made a disparaging crack about cowboys and Indians.

I explained there were no cowboys in my novels.

He was incredulous. “Then what do you write about?”

“I write about people … people who happened to live on the American frontier. My characters live in cities, towns and camps, not on the range. They’re miners, businessmen, politicians, schoolmarms, shopkeepers, lumbermen, lawyers, doctors, newspapermen, and they come in all ages and in both sexes.”

“Bad guys?”

“Oh yeah, outlaws aplenty. Otherwise you don’t have a story.”

“And gunfights?”

“Of course. They’re part of the genre. But in six books, I’ve only had one duel where two men stood off against each other. My gunfights are more realistic to the history of the West.”

“But no cowboys?”

“Nary a one. Cows didn’t draw people west. Money laying in the dirt got people to get up and leave home. Mining drew far more people than ranching. The romantic cowboy has been written about since Owen Wister and The Virginian, and cowboys have become the stable of Western literature. When I started writing Westerns I wanted to do something different, so I wrote about mining, instead of ranching.”

Virginia City

I continued, “Cowboys have become such a cliché that most people don’t know that Tombstone was a mining town, not a cow town. Denver started as a mining camp. Mark Twain’s encounters with the Wild West occurred in Virginia City, where $305 million was mined from the Comstock Lode.  (Still, the fictional Cartwright’s Ponderosa gets all the attention.) 240 million troy ounces of silver were extracted from Leadville. Almost all of our ghost towns were once thriving mining camps. Mining was an exciting industry that drew every kind of character to the West.  Wyatt Earp made a career of following the action, and he abandoned cows to chase after silver and gold.”

“So you don’t like cowboys?” He said this with an undue sense of satisfaction.

“I do. Cowboys are self-reliant, live by a code, and are skillful with horses, ropes, guns, and nature. I believe their individualism is a metaphor for an important American value. But others have already written about cowboys, cow towns, and the open range. I wanted to explode another facet of the Wild West, so I write about mining, which allows me to get into bustling cities and the technology revolution of railroads, telegraphs, and electricity. Instead of lamenting the demise of the Wild West, I examine the influences that eventually tamed the frontier.

 “Is there drama in mining?” he asked.

“Are you kidding? Money is power … and the power-crazed chase after wealth with a passion. Mining drew fortune seekers, politicians, shysters, engineers, shopkeepers, and people with every kind of scheme under the sun to separate miners from their money. Most rail lines after the transcontinental contest connected mines to markets. Everybody chased after the money: good men, bad men, and hard cases that enforced the will of the greedy.”

“Okay, okay, you convinced me,” he said. “I’ll try one of your books.”

As Hollywood says, this story has been inspired by true events. That means a conversation did occur somewhat along these lines, but I was much less articulate in real life.

Honest westerns filled with dishonest characters.

National Read a Book Day

Thou shalt not is soon forgotten, but Once upon a time lasts forever. Philip Pullman

One of these should do nicely.

Center Point Has Published Crossing the Animas in Large Print

Center Point will publish a hard bound, large print version of Crossing the Animas, A Steve Dancy Tale. They’re a great group of people, so I signed the contract immediately. 

I’m thrilled that Center Point will have published all six of the Steve Dancy novels. It also pleases me that the first five books earned past their advances. That probably explains why Center Point bought the large print rights to Crossing the Animas. That’s a compliment I feel really good about.

Look for Crossing the Animas in your local library. Trade paperback and ebook formats are also available.

Honest westerns filled with dishonest characters.

Western Fiction Review reviews Wanted II

New review of Wanted II by the Western Fiction Review. This is a U.K. based website and it's great to get some overseas exposure.

You don’t need to have read any of the previous tales to enjoy any of the stories found here, but you may well find yourself rushing out to read more about some, or all, of them.

Here you will find stories that range from the traditional approach to western storytelling to one that borders on the mystical. There is plenty of action, some shocks, animal stars, and humour to be found in these fast moving tales, so there should be something to satisfy every western reader.

The Western Writer's Group is back, bringing you brand new,
original stories from characters you love. 

Story arcs drive the popularity of TV series. Can it do the same for a book series?

In novels, a story arc usually refers to rhythm of a story from introduction, to big trouble, to resolution. Basically, the rise and fall of tension and emotion in a story. In most novels, this story arc is self-contained in a single book. Not so, for television.

How does a story arc work different for television? Dictionary.com defines it as "a continuing storyline in a television series that gradually unfolds over several episodes." I would add "or seasons." Think about the hunt for Red John in the Mentalist, or the quest for the throne in Game of Thrones, or the feud between Deputy Raylan Givens and Boyd Crowder in Justified. In television, a good story arc threads it's way through multiple episodes that tell self-contained stories with a beginning, middle, and end. 

Despite the pervasiveness of the term, everything carried along from one episode to another is not a story arc. "Space: the final frontier" from Star Trek is setting, not story arc. The solution of the crime in Bosch takes an entire season, but this television program is more akin to what we used to call a mini-series. Same for the old television program 24. These are dramatizations of a novel or single story over many episodes. A true story arc involves an embedded, larger mystery in a series of smaller stories. Without closure to this grand mystery, the series is hard to put aside. It's also important that a story arc can be resolved. In fact, it is the promise of resolution that draws in the audience week after week. They want the answer to this puzzle. 

So, can the television style of a story arc help pull along readers of a book series? I'm not an expert, but J. K. Rowling is. Each Harry Potter included a self-contained story, along with the gradual reveal of the Lord Voldemort mystery. Handled deftly, a long running story arc can pull readers through the entire series. The problem is you can't string along readers forever. Readers feel they are owed resolution. The trick is to present this resolution in a manner that is not the death knell of the story.

Crossing the Animas resolves the series-long story arc of the Steve Dancy Tales. It's yet to be seen if I did it in a manner that allows me to reboot the series with a wholly new story arc.

I bet I did. Just wait. See where the story goes next.

Jenny's Revenge in Audio

Jenny's Revenge is now available in print, ebook, large print, and audio formats.

Joe Formichella reads Jenny's Revenge. Joe is a seasoned author, editor, and audio performance professional. Check out the audio sample below. He's a Hackney Literary Award Winner and Pushcart Prize nominee.

Honest Westerns filled with dishonest characters.

Jenny Bolton has plans, and they don't bode well for Steve Dancy.

Married at 15 to a Nevada politician, Jenny suffered repeated assaults, witnessed her husband's ghastly murder, buried her mother-in-law, and killed a man. Dancy, who had once served as her paladin, rejected her without as much as a goodbye. Abandoned on a raw frontier, she's single-handedly building an empire that spans the state. Despite her triumphs, she feels she never should have been left alone.

Soon to marry, Steve is eager to begin a new life, unaware that Jenny is mad for revenge.

A genuine Westerner?

I believe Mark Twain is the greatest western writer of all time. Not only did Tom and Huck live on the frontier, but Roughing It describes his own adventures in the Wild West, including his stint as a reporter in Virginia City when it was wilder than any cow town on Saturday night. Twain thought the West was a hoot, so he kept traveling in that direction until he reached the Hawaiian Islands. In 1866, he spent four months in paradise as a reporter for the Sacramento Union.

Here is a New York Times slide show about Twain in Hawaii

Here are a couple of things Mark Twain said about Hawaii.

This is the most magnificent, balmy atmosphere in the world--ought to take dead men out of grave.

The missionaries braved a thousand privations to come and make them permanently miserable by telling them how beautiful and how blissful a place heaven is, and how nearly impossible it is to get there.

Wanted: A Western Story Collection

Snake in the Grass

A Steve Dancy Tale

A lone wrangler with a fine herd of horses goes berserk in the middle of nowhere. 

Steve Dancy and Joseph McAllen must decide—help the crazed boy or ride off.

Wanted: A Western Story Collection ebook edition is available for pre-order at Amazon. The paperback edition will come along in a few weeks. The anthology includes a Steve Dancy short story. Since this was my first short story in the series, I decided to have a little fun and wrote it from Joseph McAllen's point of view.

From the Backcover

Seven bestselling western authors join forces in the time-honored tradition of the old West to deliver a collection of short stories featuring their most popular and beloved characters. Read about the adventures of Steve Dancy, Gideon Johann, Shad Cain, Lee Mattingly, the McCabes, Hunt-U.S. Marshal, and Jess Williams. Enjoy your favorite authors and discover new friends along the trail.

My Second Short Story

I write novels. Seven and counting. (Plus six nonfiction books, if I include my ghost writing assignments.) I’ve previously written only one short story, for which I received an Honorable Mention as a finalist. Maybe that didn’t count. It was a newspaper contest for a one hundred word novel. In the beginning, I thought anyone could string together one hundred words, but it took me a week to create a draft fit for submittal. Short is hard.

All of this is preface to telling you that I have written my first real short story. “Snake in The Grass” is a Steve Dancy Tale with a twist. I won’t tell you the twist. You have to read it for yourself. Where? First, you’ll need to wait a few months. The book is an anthology written by seven top selling Western authors.

Wanted, A Western Story Collection includes stories by Brad Dennison, Lou Bradshaw, Tell Cotten, Robert J. Thomas, WL Cox, James D. Best, and Duane Boehm.

I’ll let you know when it becomes available. In the meantime, I’ll leave with a few of my favorite quotes about short stories.

A short story must have a single mood and every sentence must build towards it. Edgar Allan Poe

A short story is a different thing all together - a short story is like a kiss in the dark from a stranger. Stephen King

The great thing about a short story is that it doesn’t have to trawl through someone’s whole life; it can come in glancingly from the side. Emma Donoghue

I used to write things for friends. There was this girl I had a crush on, and she had a teacher she didn’t like at school. I had a real crush on her, so almost every day I would write her a little short story where she would kill him in a different way. Stephen Colbert

A Childhood Trauma Stays With You for Life

Me striking a Steve Dancy pose.

Recently I changed my Facebook profile picture to me as a youngster dressed up in my new chaps. The picture reminded me of a traumatic experience inflicted on me by my mother. This same summer, a man knocked on the door offering to take my picture on his pony. Directly behind him stood a real horse. A real horse. I couldn’t believe it. Despite my begging, my mother would have nothing to do with it. I have no recollection of how much he charged, but it couldn’t have been more than a couple dollars. I was crestfallen.

I ran to my room to pout, but then I saw my six-shooter in a holster with enough genuine silver studs to make Roy Rogers jealous. I had an idea. In a jiffy, I was dressed in chaps with my shiny guns hanging from my skinny waist. Running down the block I caught up with the man and his pony. My first sight was crushing. My best friend sat astride the horse looking as proud as Rin Tin Tin at the end of an episode.

Rusty had a horse and a dog!

I learned I was the lone outcast. All of my friends’ moms had popped for a picture. Despite hanging around for five more houses, the man never offered to let me sit on the pony. I was savvy enough to know he wouldn’t waste film on me because of my stingy mother, but I had hoped that if I looked the part he would at least let me sit on the horse for a bit. No such luck. I slunk home completely dejected.

I never forgot the disappointment and humiliation. One night over drinks, I told this horrifying tale to my best friend. At the end, he got up and left the room. I was puzzled about his indifference until he returned with an old photograph. It was a picture my him sitting on a pony with a gun in his hand. Darn. I had expected commiseration ... or possibly a taller tale of childhood trauma. Instead, he rubbed salt in the wound. After all these years, I was devastated once again. 

Look at that pistol. Yet he still got his picture taken.

Steve Dancy Wants to be Pals with Jack Reacher

There have been some memorable fictional characters. Sherlock Holmes, James Bond, Hercule Poirot, and Harry Potter to name a few. (I’d like Steve Dancy to climb into this group, but I need a few million more sales. A little help, please.) The above names are make-believe people, but known the world over. How does a branded character come about? They must be difficult to create because there are so few of them. Strong characters are not rare. Think of Elizabeth Bennet, Tom Sawyer, Captain Ahab, Rhett Butler, or Hannibal Lecter. But for the most part, these were one-offs, while a branded character returns time and again, frequently leaping from the printed page to screen and stage.

The inventors of Holmes, Bond, Poirot, and Potter didn’t want for material things. Sherlock Holmes has been portrayed on screen more than any other character, and that excludes the House television series. Spanning 54 years, James Bond is the longest running film series with a human protagonist. (Godzilla is the longest and most prolific film series.) Agatha Christie used Poirot to propel herself to the #1 Bestselling author of all time, while Harry Potter is the #1 bestselling book series.

These are worldwide icons. Yet they’re fictional. They sprang from the imagination of authors. How in the world do you do that? One author has told us.

I recently reread Killing Floor by Lee Child. In a new introduction, Child describes how he developed the Jack Reacher character, who was introduced in this novel back in 1997.

“I liked some things, and disliked other things. I had always been drawn to outlaws. I liked cleverness and ingenuity. I liked the promise of intriguing revelations. I disliked a hero who was generally smart but did something stupid three-quarters of the way through the book, merely to set up the last part of the action.  Detectives on the trail who walked into rooms and got hit over the head from behind didn’t do it for me. And I liked winners. I was vaguely uneasy with the normal story arc that has a guy lose, lose before he wins in the end. I liked to see something done spectacularly well. In sports, I liked crushing victories rather than ninth-inning nail-biters. 

To me, entertainment was a transaction. You do it, they watch it, then it exists … for me the audience mattered from the start.

G. K. Chesterton once said of Charles Dickens, 'Dickens didn’t write what people wanted. Dickens wanted what people wanted.'"

Child sat down and came up with three specific conclusions.

"First: Character is king. There are probably fewer than six books every century remembered specifically for their plots. People remember characters … so my main character had to carry the whole weight.

Second conclusion: If you can see a bandwagon, it’s too late to get on … it’s a crowded field. Why do what everyone else is doing? … The series that were well under way … lead characters were primus inter pares in a repertory cast, locations were fixed and significant employment was fixed and significant. I was going to have to avoid all that stuff.

But the third conclusion, and the most confounding conclusion: You can’t design a character too specifically … a laundry list of imagined qualities and virtues would result in a flat, boring, cardboard character … I decided to relax and see what would come along. Jack Reacher came along.”

Child goes on to explain that Reacher has the following characteristics:

• Fish-out-of-water because he had previously only known military life
• He’s huge, utterly sure of himself, with intimidating presence (opposite of flawed protagonist)
• Old-fashioned hero: no problems, no navel-gazing
• Owns nothing but the clothes on his back—literally
• No ties to family, friends or location
• Ex-military cop to give him plausibility with investigative techniques
• Rootless and alienated in a giant country (Child is British)
• Reacher as Medieval knight-errant
• First name is simple, ordinary, blunt, and straightforward
• Certain nobility based on rank of major in military

Child wrote: “I wanted the kind of vicarious satisfaction that comes from seeing bad guys getting their heads handed to them by a wrong-righter even bigger and harder than them … so Reacher always wins.”

I started by asking, “How does a branded character come about?” It appears by creating a character unlike all the other series protagonists. Not a unique trait, but opposite in every detail. At least it worked for Reacher. A Forbes study discovered that Jack Reacher is the strongest branded character in fiction, and Lee Child has the strongest reader loyalty of any bestselling author.

In Production—Audio Version of The Return

Coming Soon in Audio

Jim Tedder has agreed to narrate The Return, A Steve Dancy Tale and has already completed 6 chapters. This is exciting news because Tedder did a great job on Murder at Thumb Butte. He has a long career in broadcasting and brings a great storytelling voice to the series.

In answer to some queries, I've completed ten chapters of Crossing the Animas, A Steve Dancy Tale. Darn, I sure wish I could write as fast as Jim Tedder can narrate.

Here is the first chapter of The Return.

Best Selling Novelist of All Time?

Agatha Christie as a Young Woman

Agatha Christie is often listed as the bestselling novelist of all time. If the list is for fiction writers instead of just novelists, then Shakespeare takes the top spot. Even with a four hundred year head start, Christie may be catching up with The Bard because royalties from her books are estimated to still exceed £5m a year. In a 2002 relaunch of the 1939 And Then There Were None, the book became a surprise bestseller.

Christie wrote 85 books and sold well over two billion copies. And Then There Were None sold 100 million all by itself. The success of the 1965 Hollywood remake of the story caused subsequent editions of the book to be retitled Ten Little Indians. Her works have been translated into every major language and UNESCO named her the most translated author in the world.

Sir Arthur Conan Doyle became annoyed with Sherlock Holmes so he killed him. Never fear, he used a novelist's magic powers to bring the famous detective back to life. Similarly, Dame Agatha Christie grew tired of Poirot, once describing him as "insufferable" and "an egocentric creep".

Christie invented the classic murder mystery structure. A murder is committed with multiple suspects and secrets are gradually revealed with a surprise twist at the end. Murder mysteries are active reading, with the reader knowing all the clues uncovered by the investigator. The fun is guessing the guilty party. There have been truckloads of murder mystery written but few compare with "The Queen of Crime."

I studied Agatha Christie and other mystery writers before I started Murder at Thumb Butte. I wanted to use the Steve Dancy characters in a traditional murder mystery, albeit in the Wild West with gun play, horses, rowdy saloons, and celebrity frontiersmen like Doc Holiday and Vergil Earp.

I haven’t sold nearly as many copies as Christie, but I’m happy that the novel has found a large audience. C. K. Crigger in Roundup Magazine wrote, "This is a well-plotted mystery, as well as a terrific Old West story. Best has a great character in Steve Dancy, and has created an excellent cast of secondary characters." 

If you like murder mysteries, westerns, or historical novels, Murder at Thumb Butte should be your next book. The novel has been available in print, ebook, and large print. Recently Jim Tedder did an exceptional job narrating the audiobook version. 

As Tedder says, “Go on now, get to it.”

Print, eBook, Large Print & Audio Formats

Literature vs. Popular Fiction

I bounce around the internet each morning after checking email. I scan a lot of articles, but rarely get by the first few paragraphs. My time is precious and there is just so much stuff out there. If I tried to read it all, I’d never have time to write.

An exception was “Literature vs genre is a battle where both sides lose” by David Mitchell, published at The Guardian blog. I don’t enjoy dissertations on writing as an art form. I’m a storyteller whose medium is the written word, so I prefer articles about how to improve my craft. But Mitchell grabbed my attention with his first sentence.

“Literary fiction is an artificial luxury brand but it doesn’t sell.”

There is an audience for literary fiction, but Mitchell points out that the demand for genre fiction dwarfs the high-tone variety. He claims, “fancy reading habits don’t make you cool any longer. The people who actually buy books, in thumpingly large numbers, are genre readers.”

I think the difference is how a writer approaches a project. If a writer starts off to tell a story, a good craftsman will focus on writing the novel properly to keep the reader engaged. If a writer starts with the goal to write a literary masterpiece, then the focus becomes assembling sentences so clever they stop the reader to admire the prose. A good storyteller never takes the reader out of a story, so fancy writing is counterproductive.

Here’s the dirty little secret of fiction writing: if it doesn’t sell, it’s soon forgotten. Mark Twain, Shakespeare, Jane Austen, Owen Wister, Raymond Chandler, Louisa May Alcott and many other “Great Writers” understood this truism. 

“It might reasonably be said that all art at some time and in some manner becomes mass entertainment, and that if it does not it dies and is forgotten.”  Raymond Chandler

Honest westerns filled with dishonest characters

Look and Listen

Whispersync is an Amazon feature that allows you to switch between an ebook version and an audiobook of the same title. It’s a pretty cool way to read at home and listen to books on commutes or jogs. (This link explains Whispersync.) Not all books sold on Audible.com are set up for this synchronization feature, however. For my own audiobooks, only The Shopkeeper is Whispersync ready. Bummer. But at least Amazon says they’ll eventually get to the other books in the Steve Dancy series.

How do you know which books in your Kindle library are set up for Whispersync? Amazon has made it easy. To reference your Kindle library against existing Audible Whispersync titles, you can just log into Amazon.com/matchmaker which automatically lists every Kindle book you ever bought that has a Whispersync companion. This list will also give you the discounted cost to add the audiobook to your library. This may not be very valuable for books you’ve already read, but when I showed the list to my wife, she immediately added several of these titles to her to-read list.

If you buy a print book, the Kindle version may be discounted—sometimes to 99 cents—and if you buy an eBook, the Whispersync audiobook is discounted. Consuming books visually and/or audibly has become a snap. If you don’t have lots of idle hours to read, try a combo approach. 

Jenny’s Revenge Available in Print

At long last, Jenny’s Revenge, A Steve Dancy Tale is available in trade paperback format. This has been a long process that had mostly to do with abnormal issues around the cover design. The book can be ordered from Barnes and Noble, Amazon, Books a Million, or independent book stores. Thank you for reading The Steve Dancy Tales.

Honest westerns filled with dishonest characters

Jenny Bolton has plans, and they don't bode well for Steve Dancy.

Married at fifteen to a Nevada politician, Jenny suffered repeated assaults, witnessed her husband's ghastly murder, buried her vile mother-in-law, and killed a man. Dancy, who had once served as her paladin, rejected her without as much as a goodbye. Abandoned on a raw frontier, she's single-handedly building an empire that spans the state. Despite her triumphs, she feels she never should have been left alone.

Soon to marry, Steve is eager to begin a new life unaware that Jenny is mad for revenge.

Murder at Thumb Butte Available in Audio

The audio version of Murder at Thumb Butte read by Jim Tedder is now available. Tedder is a consummate professional with over 35 years in broadcasting. He's such a natural storyteller, you can almost hear the campfire crackling in the background.

Books in Motion published the audio versions of The Shopkeeper and Leadville, and now Tedder has added Murder at Thumb Butte to the audio series. We anticipate that sales will be good enough for Tedder to narrate the remaining books in the series. I sure hope so. He does a fine job as you can hear from this audio book trailer.

You can purchase the audio version of Murder at Thumb Butte through one of the following links.

Audio—a whole new way to experience the Steve DancyTales.

Another Remake?—The Man Who Shot Liberty Valance

My last posting was about Hollywood remaking The Magnificent Seven, one of my favorite western movies. No sooner did it go to press than I hear Paramount is remaking another one of my favorites, The Man Who Shot Liberty Valance. This remake is still in the initial stages, so actual projection onto a silver screen remains iffy. (Boy, the digital world is making lots of stock phrases obsolete.)

The original 1962 film starred Jimmie Stewart and John Wayne, with Lee Marvin playing the heavy. Vera Miles, Edmond O’Brien, Andy Devine, John Carradine, Woody Strode, Strother Martin and Lee Van Cleef also had significant roles in this John Ford film. Hard to believe Paramount can afford to put together that level of cast today.

The Man Who Shot Liberty Valance had a huge influence on the Steve Dancy Tales. Ransom Stoddard and Steve Dancy are eastern educated city dwellers trying to survive a raw frontier, both stories make use of political subplots, and the movie and books present day to day life as a backdrop to the action. At bottom, the film and the Steve Dancy Tales are fish-out-of-water/buddy stories.

I hope this particular remake never gets a green light. The original is a true classic and a new production is sure to fall short. The Man Who Shot Liberty Valance is a sophisticated, complex story, directed by a master, with a once-in-a-lifetime cast. Hollywood should quit trying to live off past glories and make new films that will be eagerly watched a half century from now.

Honest westerns filled with dishonest characters.

Coming soon to a theater near you!

Hollywood is remaking The Magnificent Seven, one of my favorite westerns. (Darn, I wished they had asked. I could have sold them material for a great, new western script.) The original film was made in 1960 and broke new ground for Westerns. The loner, with or without a sidekick, was nowhere to be found. Instead, an ensemble cast kicked up so much dust with twenty eight hoofs that filming became difficult at times. The Magnificent Seven introduced antihero gangs to theatrical westerns. Previously there were western antiheros, notably Shane and Hondo, but these were deeply flawed characters rather than outright bad guys called upon to do good. Nine years later, The Wild Bunch seems to have taken most of the credit for elevating antiheroes who flock together.

The Magnificent Seven is a buddy story which heavily relies on the chemistry of the characters. This played out exceptionally well in the original and hopefully will work for the remake as well. Of course, everything was not always copacetic on the sets of the original film. Throughout the entire movie, Yule Brynner never removed his hat to expose his bald head. Steve McQueen was such a notorious scene stealer that he exasperated Brynner, who took him aside and threatened to remove his hat if McQueen upstaged him again. Legend has it that McQueen behaved himself for the remainder of the shoot.

The new Magnificent Seven is due in 2016,  directed by Antoine Fuqua, and staring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Lee Byung-hun, Luke Grimes, Wagner Moura, Haley Bennett, Matt Bomer, and Peter Sarsgaard. Let’s hope it’s as good as the first one.

A New Steve Dancy Tale—Crossing the Animas

Denver & Rio Grande Railway

I started the next book in the Steve Dancy Tales. When I say started, I mean barely begun. I have a title, Crossing the Animas, and an initial draft of the first two chapters. I also have an outline of sorts. So it will be many months before the book is available.

The print edition of Jenny’s Revenge has been a long haul, but it has finally made it through all of the format and approval hoops and is available through online and brick and mortar booksellers. 

More gratifying, the audio version of Murder at Thumb Butte is available and The Return will follow shortly. Jim Tedder is the narrator for both and he is a great storyteller.

Below is another sample chapter. I’m sure you’ll agree that this is a whole new way to experience the Steve Dancy Tales.