Cowboys are cool. Cows, not so much

“A mine is a hole in the ground, owned by a liar.” Mark Twain

I recently saw a college friend for the first time in decades. He seemed surprised to learn I wrote novels. I guess I need to work on that world famous part. 

“What do you write?” he asked.

“Westerns.”

He immediately made a disparaging crack about cowboys and Indians.

I explained there were no cowboys in my novels.

He was incredulous. “Then what do you write about?”

“I write about people … people who happened to live on the American frontier. My characters live in cities, towns and camps, not on the range. They’re miners, businessmen, politicians, schoolmarms, shopkeepers, lumbermen, lawyers, doctors, newspapermen, and they come in all ages and in both sexes.”

“Bad guys?”

“Oh yeah, outlaws aplenty. Otherwise you don’t have a story.”

“And gunfights?”

“Of course. They’re part of the genre. But in six books, I’ve only had one duel where two men stood off against each other. My gunfights are more realistic to the history of the West.”

“But no cowboys?”

“Nary a one. Cows didn’t draw people west. Money laying in the dirt got people to get up and leave home. Mining drew far more people than ranching. The romantic cowboy has been written about since Owen Wister and The Virginian, and cowboys have become the stable of Western literature. When I started writing Westerns I wanted to do something different, so I wrote about mining, instead of ranching.”

Virginia City

I continued, “Cowboys have become such a cliché that most people don’t know that Tombstone was a mining town, not a cow town. Denver started as a mining camp. Mark Twain’s encounters with the Wild West occurred in Virginia City, where $305 million was mined from the Comstock Lode.  (Still, the fictional Cartwright’s Ponderosa gets all the attention.) 240 million troy ounces of silver were extracted from Leadville. Almost all of our ghost towns were once thriving mining camps. Mining was an exciting industry that drew every kind of character to the West.  Wyatt Earp made a career of following the action, and he abandoned cows to chase after silver and gold.”

“So you don’t like cowboys?” He said this with an undue sense of satisfaction.

“I do. Cowboys are self-reliant, live by a code, and are skillful with horses, ropes, guns, and nature. I believe their individualism is a metaphor for an important American value. But others have already written about cowboys, cow towns, and the open range. I wanted to explode another facet of the Wild West, so I write about mining, which allows me to get into bustling cities and the technology revolution of railroads, telegraphs, and electricity. Instead of lamenting the demise of the Wild West, I examine the influences that eventually tamed the frontier.

 “Is there drama in mining?” he asked.

“Are you kidding? Money is power … and the power-crazed chase after wealth with a passion. Mining drew fortune seekers, politicians, shysters, engineers, shopkeepers, and people with every kind of scheme under the sun to separate miners from their money. Most rail lines after the transcontinental contest connected mines to markets. Everybody chased after the money: good men, bad men, and hard cases that enforced the will of the greedy.”

“Okay, okay, you convinced me,” he said. “I’ll try one of your books.”

As Hollywood says, this story has been inspired by true events. That means a conversation did occur somewhat along these lines, but I was much less articulate in real life.

Honest westerns filled with dishonest characters.

Godless—A Review

A character and dialogue driven western, Godless presents a traditional plot with some fresh twists, served up with an appropriate balance of action. (Godless is a Netflix original mini-series.) A good script, excellent acting, appealing filmography, and a focus on storytelling makes Godless an excellent addition to the Western film genre.

Here's a good review at Columbus Underground

National Read a Book Day

Thou shalt not is soon forgotten, but Once upon a time lasts forever. Philip Pullman

One of these should do nicely.

Did McDonald's invent fast food?

I recently watched The Founder with Michael Keaton. I enjoyed the film. It’s an interesting character study and does a good job of telling the McDonald’s story. (I personally think McDonald’s has lost its way, but no worries, In and Out Burger picked up the business model and did it one better by delivering great burgers.) The story, of course, is about the invention of fast food, the bane of the calorie conscious the world over.

However, the concept of fast food reminded me of something I ran across in my research for The Shopkeeper. I wanted to make my western series different from the norm, so I focused on miners instead of cowboys and other traditional icons of the frontier. Mine workers start early in the morning, and I discovered they frequently ate biscuits standing up in a saloon.  This may be the real start of fast food. (McDonalds just slapped egg, sausage, and cheese inside the biscuit.)

Here’s how I used that tidbit of research in The Shopkeeper.

Other meals I eat for fuel, but I dawdle over breakfast—and Mary cooks a hell of a breakfast. Mary ran the restaurant across the street from my ragtag hotel. It was not a restaurant in a New York sense, but nonetheless it was the best place to eat in Pickhandle Gulch. Her small building, plank floors, and long tables were all made from unfinished lumber, but a few touches like lace curtains had softened the rough appearance. Breakfast for miners usually consisted of biscuits eaten standing up in some stale-smelling saloon. Not fancy, but quick. They needed to get to work. Mary catered to the mine owners, town merchants, and people like myself, who had the time and money to eat a slow, hearty breakfast.

As I entered her tidy café, the aroma pulled the trigger on my appetite. I took my usual seat at a table by the window, and Mary sauntered over with a cup of black coffee that suspended its own little cloud of steam above the rim.

“What’ll ya have today, Mr. Dancy?”

“Everything.”

“Everything it is—over easy, crispy, and soaked in grease.”

“You got it,” I said.

Risk taker, Rule Breaker, Game Changer

Get Connected to Bookbub

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Bookbub is the gorilla of book promotions. It maintains this status through rigorous quality control, reader-friendly communication, and continuous culling of their list. You can sign up here. I have a author page at Bookbub, and when you follow me here, you'll get a note whenever any of my books go on sale.

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Center Point Has Published Crossing the Animas in Large Print

Center Point will publish a hard bound, large print version of Crossing the Animas, A Steve Dancy Tale. They’re a great group of people, so I signed the contract immediately. 

I’m thrilled that Center Point will have published all six of the Steve Dancy novels. It also pleases me that the first five books earned past their advances. That probably explains why Center Point bought the large print rights to Crossing the Animas. That’s a compliment I feel really good about.

Look for Crossing the Animas in your local library. Trade paperback and ebook formats are also available.

Honest westerns filled with dishonest characters.

no rules, no fences, no referees

Recently I tweeted an article I wrote about the Old West. Many people have weighed in on what the American frontier was really about. I think many miss a key point which, at least in a literary sense, ties Westerns, Science Fiction, and Fantasy together.

Here's one paragraph from my article, “Is the Mythology of the Old West Dead?”  . 

“The West, outer space, the future, or a make-believe land represents a new beginning in a fresh place away from home—the shrugging off of disappointments and a chance to start all over again. The romance and adventure of frontiers draws people desperate to escape the travail of their current existence. We've seen this in real life with the migrations to the New World and the Old West, but today many people satisfy this longing vicariously with fiction. If you're poor, your family makes you miserable, you've committed an act that offends society, or wanderlust has gripped you, then the adventure and limitless opportunity of a frontier beckons like a siren's call. Emigrating to a frontier means you get a do-over in a land with no rules, no fences, no referees.” 

Western Fiction Review reviews Wanted II

New review of Wanted II by the Western Fiction Review. This is a U.K. based website and it's great to get some overseas exposure.

You don’t need to have read any of the previous tales to enjoy any of the stories found here, but you may well find yourself rushing out to read more about some, or all, of them.

Here you will find stories that range from the traditional approach to western storytelling to one that borders on the mystical. There is plenty of action, some shocks, animal stars, and humour to be found in these fast moving tales, so there should be something to satisfy every western reader.

The Western Writer's Group is back, bringing you brand new,
original stories from characters you love. 

Story arcs drive the popularity of TV series. Can it do the same for a book series?

In novels, a story arc usually refers to rhythm of a story from introduction, to big trouble, to resolution. Basically, the rise and fall of tension and emotion in a story. In most novels, this story arc is self-contained in a single book. Not so, for television.

How does a story arc work different for television? Dictionary.com defines it as "a continuing storyline in a television series that gradually unfolds over several episodes." I would add "or seasons." Think about the hunt for Red John in the Mentalist, or the quest for the throne in Game of Thrones, or the feud between Deputy Raylan Givens and Boyd Crowder in Justified. In television, a good story arc threads it's way through multiple episodes that tell self-contained stories with a beginning, middle, and end. 

Despite the pervasiveness of the term, everything carried along from one episode to another is not a story arc. "Space: the final frontier" from Star Trek is setting, not story arc. The solution of the crime in Bosch takes an entire season, but this television program is more akin to what we used to call a mini-series. Same for the old television program 24. These are dramatizations of a novel or single story over many episodes. A true story arc involves an embedded, larger mystery in a series of smaller stories. Without closure to this grand mystery, the series is hard to put aside. It's also important that a story arc can be resolved. In fact, it is the promise of resolution that draws in the audience week after week. They want the answer to this puzzle. 

So, can the television style of a story arc help pull along readers of a book series? I'm not an expert, but J. K. Rowling is. Each Harry Potter included a self-contained story, along with the gradual reveal of the Lord Voldemort mystery. Handled deftly, a long running story arc can pull readers through the entire series. The problem is you can't string along readers forever. Readers feel they are owed resolution. The trick is to present this resolution in a manner that is not the death knell of the story.

Crossing the Animas resolves the series-long story arc of the Steve Dancy Tales. It's yet to be seen if I did it in a manner that allows me to reboot the series with a wholly new story arc.

I bet I did. Just wait. See where the story goes next.

Crossing the Animas

The trade paperback edition of Crossing the Animas is now available. You can buy it at Amazon here.

You might be surprised by the plot. Steve gets into trouble once again. McAllen builds a horse ranch, Sharp finds a long-lost love, and Steve and Virginia plan a wedding. Bad guys aplenty want to disrupt all of their plans. Wonder how it will work out.

Crossing the Animas, A Steve Dancy Tale

Crossing the Animas is available for the Kindle. The print format will along shortly. Center Point plans to publish the large print library edition early in 2018. No contract has been established for an audio version, but I'm sure that will come along later this year.

“Ben Law is tough… and mean. He enjoys taking care of problems for his boss. He won’t just verbally assault you. He and his men will hurt you. Bad.”

Steve Dancy is about to find this out. With his new home in Durango, Colorado, the kind with a nice white picket fence, and marriage on the horizon, the last thing Dancy wants is trouble.  Especially with a mining tycoon and his henchmen. But this is the frontier … and sometimes a feud finds you. Sometimes, it even chases you. When the quarrel endangers Dancy’s fiancée and friends, he has no choice but to fight.

And this is a fight Dancy must win.

P.S. Evidently Crossing the Animas is so new that searches may not turn it up. You can go directly to the product page here.

Wanted II, a collection of seven western short stories, is now available for Kindles. The paperback version will be along shortly. Try six western authors for only $2.99. You'll discover I have good company on these pages.























Don't forget about the recent release of the audio version of Jenny's Revenge. Even if you already read it, listening can double the pleasure.









I'm also writing three essays this year for Constituting America. This is a great site about the founding of our country. My first essay on Home Building & Loan v. Blaisdell (1934) has been published here. I'll let you know when the other two become available. Both are due by May 1, which looks pretty close. As the famed author, Douglas Adams said, "I love deadlines. I love the whoosing sound they make as they go by."

A New Steve Dancy Short Story

Wanted II is now available for pre-order at Amazon. Again, the book includes a Steve Dancy short story. This was a fun one for me. Steve is traveling by horseback from San Diego to Los Angeles when he's attacked by highwaymen. Grab a copy. At $2.99, the ebook is a great bargain with short stories by some of the best western writers of our day. Present company included, of course.

Jenny's Revenge in Audio

Jenny's Revenge is now available in print, ebook, large print, and audio formats.

Joe Formichella reads Jenny's Revenge. Joe is a seasoned author, editor, and audio performance professional. Check out the audio sample below. He's a Hackney Literary Award Winner and Pushcart Prize nominee.

Honest Westerns filled with dishonest characters.

Jenny Bolton has plans, and they don't bode well for Steve Dancy.

Married at 15 to a Nevada politician, Jenny suffered repeated assaults, witnessed her husband's ghastly murder, buried her mother-in-law, and killed a man. Dancy, who had once served as her paladin, rejected her without as much as a goodbye. Abandoned on a raw frontier, she's single-handedly building an empire that spans the state. Despite her triumphs, she feels she never should have been left alone.

Soon to marry, Steve is eager to begin a new life, unaware that Jenny is mad for revenge.

Crossing the Animas back from Editor

A few days ago, my editor sent me the edited version of Crossing the Animas and related files. I'm anxious to reviewed her revisions, but I have some personal issues which require me to be in northern California.

Here is the remaining process to publication. Next, I go through every revision, one at a time. I do this to approve the change and improve my writing skill. After I have a clean edited manuscript, the book goes to my ebook formatter. He makes sure the book looks good on various ereaders. My proofreader gets at crack at the book next.

In the past, I published the print and ebook versions simultaneously. The world has changed. Now, more than 90% of my sales are electronic versions of the book. (Excluding library large print sales) So the ebook versions will be published without waiting for the longer print book process.

All of this means that the ebook version of Crossing the Animas should be available before the end of March. The print version will follow about sixty days later.

I hope you enjoy it.

Rough Cover Option

The Magnificent Seven—Hollywood Finally Gets It Almost Right

Hollywood doesn’t like Westerns. They keep trying to make them into something else. If a traditional Western is a success, like Unforgiven, critics tag it as an anti-western. The Chicago Tribune said of Unforgiven, “This dark, melancholic film is a reminder -- never more necessary than now -- of what the American cinema is capable of, in the way of expressing a mature, morally complex and challenging view of the world.” As if a Western never plumbed the depths of depravity before.

Last night my wife and I went to see The Magnificent Seven, the remake. It’s a good movie. I thought the climatic gun battle was over the top, but that’s what audiences expect nowadays. Also the storyline was more implausible than the original. A roving band of bandits in the age of Poncho Villa raiding villages for food is far more believable than a mine owner killing random farmers to acquire land that hasn’t proved to be lodes of precious metal. But, hey, this is entertainment. Suspension of belief is de rigor.

An NPR review said of the movie, “it's not a revisionist western. Nor is it an anti-western. It's a western.” The reviewer, Chris Klimek, did not necessarily mean that as a compliment. I say, thank goodness. It’s about time Hollywood got back to good storytelling. Modern Hollywood often gets itself wrapped up messaging. Storytelling is an art that requires a meaningful plot, engaging characters, proper pacing, and craftsmanship. When they made the The Magnificent Seven, they set out to make an entertaining film, not a statement. Great stories can make statements, but they must be subtle enough to not jar the reader/viewer out of the story. Philip Pullman once said, “Thou shalt not is soon forgotten, but Once upon a time lasts forever.” The Magnificent Seven did include a message about inclusiveness, but never did that theme interrupt the flow of the story.

I liked the movie, and my wife liked it as well. The film did $41.4 million on its opening weekend, which bodes well that box office receipts will be high enough to encourage more of the same.

The Magnificent Seven Ride Again

I was never a fan of signing cowboys. Roy Rogers, Gene Autry and lesser lights were too goody two-shoes for me. I categorize heroes as wholesome, flawed, and anti-heroes. In my mind, this is not three distinct categories, but a continuum, with Roy Rogers at one end and Anton Chigurh from No Country for Old Men on the other.

I’m not an enthusiast for either extreme. As a youngster, I preferred Wanted Dead or Alive and Paladin to the Lone Ranger. (I admit I watched Rin Tin Tin. You can’t get more wholesome than a boy and his dog.) Steve McQueen’s Josh Randall and Richard Boone’s Paladin engaged in gray professions and rejected many societal norms. Both characters were portrayed as generally good, but conflicted people who did the right thing in the end.

In the fifties, western films mostly pitted a good guy (and frequently a sidekick) against bad guys. In 1960, The Magnificent Seven broke this mold to start a trend toward far more complex protagonists.  There were not only seven “good guys,” they were flawed to the point of tipping into the anti-hero class. The Magnificent Seven was not the first western with anti-hero protagonists, but its enormous success triggered the Hollywood trait to copy what worked in the past. One of my favorites was the 1962 The Man Who Shot Liberty Valance. The complex, dark Tom Doniphon was one of John Wayne’s best roles, and James Stewart’s Ransom Stoddard certainly had reason for remorse. The Wild Bunch (1969), Silverado (1985), Young Guns (1988), and others employed crews of anti-heroes who seek redemption by righting wrongs.

The Magnificent Seven, directed by John Sturges led the pack. In its original theatrical release, the box office exceeded more than double the cost of the film and it has been considered a genre classic ever since. Anchored by movie star Yul Brynner, the cast included television stars and solid character actors.  Many emerged from the film as bankable Hollywood properties. The taut script moved the story capably forward with character-driven dialogue and memorable scenes. A great director, a seminal cast, and an exceptional script. That’s all you need to make a Hollywood classic.

Antoine Fuqua directed the remake. Hit or miss? Remaking a box office success seems safe, but taking another turn at a classic carries its own set of risks. Most remakes fall short because the audience already has a preset image of the story and deviations can be jarring. Why would a studio invest 9 figures on a risky venture? Who cares about a new Magnificent Seven? Evidently a lot of people. The teaser below has over 7.5 million views. That number fills a lot of multiplexes.

Some have expressed concerns about this version's adherence to the politically correct. That’s not my concern. I’m disappointed in the overreliance on pyrotechnics. The current Hollywood disease is mind-numbing computer-generated imagery that overwhelms the story. Fuqua's take on this classic didn't avoid this pitfall.

By the way, my favorite piece of trivia from the original film has to do with a little tension on the set between Yul Brynner and Steve McQueen. McQueen kept upstaging Brynner, so Brynner supposedly told McQueen that if he did it one more time, he would remove his hat. It must have worked because Brynner is never seen without his black hat firmly snugged down on his bald head.

The Hateful Eight— Tarantino mailed it in

I like westerns and I like Quentin Tarantino films, so I had high expectation when I rented The Hateful Eight. Bummer. It's not only a crummy movie … punishment is compounded by its interminable length. Long is usually good for Tarantino, but it’s a bad sign if you ever consciously wonder when this thing will be over. The movie desperately needed editing by someone unintimidated by the grand master.

The Hateful Eight came across as a parody of a Tarantino movie instead of the genuine article. His good films are characterized by stylish cinematography, clever and incongruous banter, startling and extreme violence, and artful revelation of plot through time displacement. The Hateful Eight included all of these elements, but without charisma. It felt flat and uninspired. Tarantino dispassionately applied his formula without the artistic essentials that make it work.  Too bad. He’s tried twice to hit one out of the park with a western. Django Unchained was a ground-rule double, and he may have barely beat out an infield grounder with The Hateful Eight.

I have watched Pulp Fiction and the Kill Bill films many time. I’ve also re-watched other Tarantino movies. I can’t imagine spinning up The Hateful Eight again.

Back From a Fun Trip to Peru

My wife's photo of Machu Picchu

I like traveling to places my wife and I both enjoy. She loves history and art, while I prefer to see how people in other countries live today. This makes Egypt and China two of our favorite destinations because she can gaze in wonder at the pyramids or walk the Great Wall, and I get to witness a completely different culture.

Peru falls into this category. The 14th Century Inca ruins fulfill her need to touch and feel a culture long gone, and I get to enjoy the lively and complex Peru of today. I kidded her by saying she liked dead Peru, while I liked live Peru. That's an over-simplification, of course, but it's not too far off the mark.

Another Peruvian benefit is plenty of exercise ... at high altitude. When I got back to sea level I felt energized with all that oxygen.

Peru was wonderful. Friendly people who know how to preserve their heritage.

Oh well, vacation's over. Better get back to writing.

Final Episode of Justified

I watched the final episode of Justified last night. A little tardy you might think. Not to my way of thinking. I never watch any TV until the entire season is available on DVD or streaming.  That way I can binge-watch the series without ugly commercials or intervening days of holding my breath for the next episode. I get it all, and I get it the way I want.

Except … the sixth season of Justified has been available for nearly a year, so you might ask what took me so long. Justified is my favorite television program. (Elmore Leonard is one of my favorite authors.) I was heartsick when I heard the series had come to an end. As long as I never watched the last season, it was not really over. It was always there to look forward to.

Here is what I wrote about Justified in a previous post:

Justified, starring Timothy Olyphant, Walton Goggins, and a host of other fine actors, is a character-driven modern day western based on a short story by Elmore Leonard. I believe bad guys and gals make heroes heroic, and Justified has a bevy of really bad characters. Our hero has sidekicks of course, but basically, it’s Deputy Marshal Raylan Givens against this cast of misfits, hoodlums, and felonious masterminds. Good actors portraying interesting characters in a tightly written drama presented with masterful storytelling. Who could ask for more?

But good things can’t be put off forever, so I watched the last season of thirteen episodes in four nights. The final episode did not disappoint. It echoed the pilot in a well-crafted conclusion that sets a high standard for future finales. Good writing starts with good plot decisions and Graham Yost and crew did a masterful job. It’s hard to imagine a different ending that would leave viewers as satisfied.

Here is an excellent Entertainment Weekly explanation of the final episode

Here is Variety’s description of the finale

And for fun, here Entertainment Weekly links to the Top Ten best Show Downs

For the impatient, here is the #1 Showdown!

Wanted: A Western Story Collection

Snake in the Grass

A Steve Dancy Tale

A lone wrangler with a fine herd of horses goes berserk in the middle of nowhere. 

Steve Dancy and Joseph McAllen must decide—help the crazed boy or ride off.

Wanted: A Western Story Collection ebook edition is available for pre-order at Amazon. The paperback edition will come along in a few weeks. The anthology includes a Steve Dancy short story. Since this was my first short story in the series, I decided to have a little fun and wrote it from Joseph McAllen's point of view.

From the Backcover

Seven bestselling western authors join forces in the time-honored tradition of the old West to deliver a collection of short stories featuring their most popular and beloved characters. Read about the adventures of Steve Dancy, Gideon Johann, Shad Cain, Lee Mattingly, the McCabes, Hunt-U.S. Marshal, and Jess Williams. Enjoy your favorite authors and discover new friends along the trail.