In novels, a story arc usually refers to rhythm of a story from introduction, to big trouble, to resolution. Basically, the rise and fall of tension and emotion in a story. In most novels, this story arc is self-contained in a single book. Not so, for television.
How does a story arc work different for television? Dictionary.com defines it as "a continuing storyline in a television series that gradually unfolds over several episodes." I would add "or seasons." Think about the hunt for Red John in the Mentalist, or the quest for the throne in Game of Thrones, or the feud between Deputy Raylan Givens and Boyd Crowder in Justified. In television, a good story arc threads it's way through multiple episodes that tell self-contained stories with a beginning, middle, and end.
Despite the pervasiveness of the term, everything carried along from one episode to another is not a story arc. "Space: the final frontier" from Star Trek is setting, not story arc. The solution of the crime in Bosch takes an entire season, but this television program is more akin to what we used to call a mini-series. Same for the old television program 24. These are dramatizations of a novel or single story over many episodes. A true story arc involves an embedded, larger mystery in a series of smaller stories. Without closure to this grand mystery, the series is hard to put aside. It's also important that a story arc can be resolved. In fact, it is the promise of resolution that draws in the audience week after week. They want the answer to this puzzle.
So, can the television style of a story arc help pull along readers of a book series? I'm not an expert, but J. K. Rowling is. Each Harry Potter included a self-contained story, along with the gradual reveal of the Lord Voldemort mystery. Handled deftly, a long running story arc can pull readers through the entire series. The problem is you can't string along readers forever. Readers feel they are owed resolution. The trick is to present this resolution in a manner that is not the death knell of the story.
Crossing the Animas resolves the series-long story arc of the Steve Dancy Tales. It's yet to be seen if I did it in a manner that allows me to reboot the series with a wholly new story arc.
I bet I did. Just wait. See where the story goes next.
Tuesday, May 16, 2017
Thursday, May 4, 2017
The Evolution of a Big Diehl Book Cover
Book covers are a big deal. People really do judge a book by its cover. The Steve Dancy Tales always use black and white photos with only my name in color. For those who follow this blog, you already know my son designs my covers. (I joke that I'm getting his pricy art school tuition back one book cover at a time. In truth, his billing rate to real clients makes me embarrassed to ask him to do yet another cover.)
For Crossing the Animas we picked a great photo by William Diehl. Admittedly, this is a modern photograph, but the subject matter is vintage. Here is the original photo and resulting cover side by side. It may look simple, but there's craft in the cropping and lettering.
We didn't just select this photo on a whim. Here are some of the concepts covers we considered.
The construction of Denver & Rio Grande line between Durango & Silverton plays a key role in the story, and Diehl's iconic photograph fit the plot perfectly.
If you like trains, the Old West, or just great photography, visit the William Diehl website. Here are a couple more samples of his art.
Wednesday, April 19, 2017
Crossing the Animas
The trade paperback edition of Crossing the Animas is now available. You can buy it at Amazon here.
You might be surprised by the plot. Steve gets into trouble once again. McAllen builds a horse ranch, Sharp finds a long-lost love, and Steve and Virginia plan a wedding. Bad guys aplenty want to disrupt all of their plans. Wonder how it will work out.
Tuesday, April 18, 2017
Crossing the Animas, A Steve Dancy Tale
Crossing the Animas is available for the Kindle. The print format will along shortly. Center Point plans to publish the large print library edition early in 2018. No contract has been established for an audio version, but I'm sure that will come along later this year.

Wanted II, a collection of seven western short stories, is now available for Kindles. The paperback version will be along shortly. Try six western authors for only $2.99. You'll discover I have good company on these pages.

Don't forget about the recent release of the audio version of Jenny's Revenge. Even if you already read it, listening can double the pleasure.
I'm also writing t
hree essays this year for Constituting America. This is a great site about the founding of our country. My first essay on Home Building & Loan v. Blaisdell (1934) has been published here. I'll let you know when the other two become available. Both are due by May 1, which looks pretty close. As the famed author, Douglas Adams said, "I love deadlines. I love the whoosing sound they make as they go by."

“Ben Law is
tough… and mean. He enjoys taking care of problems for his boss. He won’t just verbally
assault you. He and his men will hurt you. Bad.”
Steve Dancy
is about to find this out. With his new home in Durango, Colorado, the kind
with a nice white picket fence, and marriage on the horizon, the last thing
Dancy wants is trouble. Especially with a mining tycoon and his
henchmen. But this is the frontier … and sometimes a feud finds you.
Sometimes, it even chases you. When the quarrel endangers Dancy’s fiancĂ©e and
friends, he has no choice but to fight.
And this is
a fight Dancy must win.
P.S. Evidently Crossing the Animas is so new that searches may not turn it up. You can go directly to the product page here.

Wanted II, a collection of seven western short stories, is now available for Kindles. The paperback version will be along shortly. Try six western authors for only $2.99. You'll discover I have good company on these pages.

Don't forget about the recent release of the audio version of Jenny's Revenge. Even if you already read it, listening can double the pleasure.
I'm also writing t
hree essays this year for Constituting America. This is a great site about the founding of our country. My first essay on Home Building & Loan v. Blaisdell (1934) has been published here. I'll let you know when the other two become available. Both are due by May 1, which looks pretty close. As the famed author, Douglas Adams said, "I love deadlines. I love the whoosing sound they make as they go by."Wednesday, April 12, 2017
A New Steve Dancy Short Story
Wanted II is now available for pre-order at Amazon. Again, the book includes a Steve Dancy short story. This was a fun one for me. Steve is traveling by horseback from San Diego to Los Angeles when he's attacked by highwaymen. Grab a copy. At $2.99, the ebook is a great bargain with short stories by some of the best western writers of our day. Present company included, of course.
Monday, April 10, 2017
Jenny's Revenge in Audio
Joe Formichella reads Jenny's Revenge. Joe is a seasoned author, editor, and audio performance professional. Check out the audio sample below. He's a Hackney Literary Award Winner and Pushcart Prize nominee.
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| Honest Westerns filled with dishonest characters. |
Jenny Bolton has plans, and they don't bode well for Steve Dancy.
Married at 15 to a Nevada politician, Jenny suffered repeated assaults, witnessed her husband's ghastly murder, buried her mother-in-law, and killed a man. Dancy, who had once served as her paladin, rejected her without as much as a goodbye. Abandoned on a raw frontier, she's single-handedly building an empire that spans the state. Despite her triumphs, she feels she never should have been left alone.
Soon to marry, Steve is eager to begin a new life, unaware that Jenny is mad for revenge.
Friday, March 31, 2017
Returning to the Heartland
| Winter in Pacific Beach |
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| Winter in Nebraska |
We spend the winters in San Diego. When we called Arizona home, San Diego served as our summer retreat. (There are only two seasons in Arizona, winter and hell.) Now our legal residence is Omaha, Nebraska. To escape snow, we switched to using our condo mostly in the winter, except part of our itinerary is traveling to Nevada in search of snow at Heavenly. Life’s confusing.
We discovered we prefer San Diego in the winter. No summer
crowds at the beach, breakfast seating at cafés is less than forty-five minutes,
and you can go to a movie without standing in line. In truth, the weather’s
better as well. In the winter, you don’t need air conditioning, which is convenient
because we don’t have air conditioning. We just open a slider and let the sea
breeze in.
Since Christmas, I surfed regularly, got a little snow
skiing in, saw a lot of my family, and took many looong walks around my
neighborhood. I had to take these walks because Pacific Beach has too many
great places to eat, and I don’t want to look like the Michelin Man.
It’s time to go home. We miss the grandkids and we want to
enjoy spring in Nebraska. We had some fun, but this has not been one of our
better sojourns to San Diego due to some tough personal issues. Despite difficulties
and distractions, I still got some writing done.
A lot of stuff is coming. Soon. I promise.
Sunday, February 26, 2017
WSJ Editorializes on Hollywood Malaise
Rod Pennington writes that "Sunday's Oscars ceremony takes place during one of the gloomiest times for the film industry in recent memory." With ticket sales trending down, Pennington has some specific advice.
The solution to today's film malaise is simple: better storytelling. Studio executives seem to have forgotten the basic rules preached by the late mythology scholar Joseph Campbell, and his model of "Reluctant Hero." Over four decades this formula has dominated blockbusters: Luke Skywalker, Harry Potter and Katniss Everdeen, among many others, are ordinary people reluctantly thrust into extraordinary situations. Elaborate car chases and stunning special effects are fine, but audiences still want someone they can root for.Since this advice echoes my previous posts, I have no choice but to declare Pennington a genius.
With home theaters a norm, Hollywood believes that to get people off their couches and into movie theater seats, they must blow things up, speed around corners, kill multitudes in gruesome detail, overly edit action scenes, and lay down an ear-splitting sound track. Nowadays, the story is so secondary that the sound track routinely overpowers characters speaking to each other. Screenwriters who understand dialogue write for cable, where they're allowed to strut their stuff. Today's movies are empty calories loaded to the gills with noise and eye candy. Can Hollywood once again learn to walk and chew gum at the same time? I believe so, but only when the story becomes paramount and all the rest is viewed as the delivery system.
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| And by the way, you know, when you're telling these little stories? Here's a good idea - have a POINT. It makes it SO much more interesting for the listener!" Planes, Trains, and Automobiles |
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