The Myth of the Lost Cause Vs. The Real Lincoln

 

This post deals with two books on the “Lost Cause.”

Thomas J. DiLorenzo presents the case for the Lost Cause in The Real Lincoln: A New Look at Abraham Lincoln, His Agenda, and an UnnecessaryWar, while Edward H. Bonekemper argues against the Lost Cause in The Myth ofthe Lost Cause: Why the South Fought the Civil War and Why the North Won.

What is the Lost Cause? The basic tenants are as follows: the War of Northern Aggression had nothing to do with slavery; the South did nothing to provoke war; the Constitution included a right to secede and the South should have been allowed to leave peacefully; antebellum life in the South was prosperous, dignified, and just; slavery was already dying; Robert E. Lee deserved deification, U. S. Grant deserved demonization, the North deserves condemnation for engaging in total war; the South had no chance of winning, and most important of all, Lincoln was a despot who started the war by invading South.

Basically, the Lost Cause is innocence unjustly victimized.

I chose these two specific books because they are both relatively recent (2003 and 2015) and each author presents their respective positions clearly, with entertaining gusto. On which side of this controversy did I land? You can probably guess, but this argument has raged for over one hundred and fifty years and these books will provide all the information you need to make up your own mind.

(These are research books for Maelstrom, a sequel to Tempestat Dawn.)

Full of Surprises—Live and Let Die by Ian Fleming

In high school, I read every Ian Fleming James Bond book. I liked them, but wasn't motivated to read them a second time until recently. I started with Live and Let Die, the second book in the series. The novel was full of surprises. I remembered that Bond was a different character than in the movies and the plots were less extravagant.  All true. James Bond is vulnerable and feels fear in the books. He is not as much of a loner and makes friends easily. The plot doesn't make sense in either the book or movie, but the action/escape scenes tend to the more realistic side in the novel. There is a fetish about equipment, but in the book, Bond is given somewhat specialized scuba gear, while in the movie, Roger Moore wears an electro-magnetic watch that can pull a wooden row boat by it metal rowlock. Fleming does not give Bond futuristic gadgetry. A steel-toe shoe is about as exotic as it gets.

First Edition Cover

Fleming was a much better writer than I remembered. His pacing was pitch-perfect and descriptions excellent. Although the dialogue often seemed pedestrian, Fleming was a great storyteller. Live and Let Die was an easy read, and there were more than a few times when I reread a section that showed skillful writing.

The big surprise was the racism reflected in this 1954 book. Fleming occasionally writes favorably about his black characters, but for the most part he relies on offensive words and stereotypes that were more generally accepted than we would like to remember. Fleming’s attempt to reflect black ghetto dialects seems crude and wrong. This novel demonstrates that racial attitudes have improved in the last sixty years. Perhaps everyone, especially the young, should read Live and Let Die to gain a fuller understanding of the 1950s.

Django Unchained—Quentin Tarantino’s Does Spaghetti Western

I like Tarantino movies and Westerns, so I expected to love Django Unchained.  I only liked it. It wasn’t bad; it just didn’t live up to my expectations.

The Spaghetti Western is a subset of the Western genre, typified by antiheroes, revenge themes, extreme violence, slow scenes, scant dialogue, extreme close-ups, long running times, and heavy scores punctuated by stretches of pure silence. (My favorite is Once Upon a Time in the West.) The Spaghetti Western is a different breed from the traditional Western because all of these characteristics are done to excess.

I knew something was amiss with Django Unchained about two hours into the movie when I wondered how long it would be before the end. Not a good sign, even when three hours is typical for Spaghetti Westerns. The audience is supposed to be transported to another place and time, not squirming in their seats.

Tarantino loves bad movies, especially bad genre movies. He sees art where others see trash. His best works, like Kill Bill for example, blend clichés and corniness from multiple genres into a cornucopia of unexpected delights. Django Unchained seemed too predictable and too narrow. Perhaps Tarantino’s shtick has run its course. I hope not.

Related post: Europe's Infatuation with the American Wild West

Mr. Madison Writes a Letter to Mr. Jefferson

Prior to championing a Bill of Rights in the First Congress, James Madison wrote a revealing letter to Thomas Jefferson in October of 1788. Interestingly, much of the letter was written in a secret code only the two of them shared. The following extract from the letter gives insight into Madison's mindset and the thinking of many of the Founders.


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Excerpt from The Shut Mouth Society

Dealing with sensitive social issues in a novel can be difficult. Racism is a theme that runs through The Shut Mouth Society.

Excerpt

He had been fuming ever since Baldwin quit talking. He had enjoyed the last half hour of civility and hated to ruin it. Making a decision, he said, “Professor, I should tell you that I get angry when someone throws the racist accusation around.”

“Oh.” She hesitated. “There’s a dictionary definition of racist, and Lincoln fits within that strict definition. His own words indict him, but I didn’t mean it to be as derogatory as you might think. Remember, I said a man must be judged in his time, and nearly everyone was racist back then.” When Evarts didn’t comment she asked, “You have some scar tissue?”

“As any cop, especially one that grew up and works in a rich white enclave.”

“Doesn’t your friendship with Abraham Douglass grant you absolution?” 

“It means nothing to those who use the epithet politically, and it means everything to real racists.”