The Telegraph talks about the future of Westerns

David Gritten has written a perceptive and informative article in the U.K. Telegram about the future of Westerns. It is titled, "Is it high noon for western films." 

Gritten doesn't think so. Neither do I. In fact, I believe Westerns are at the beginning of a rebirth. Here is an example of why I think this way. Google Elmore Leonard and the listings invariably reference only his crime novels. Western enthusiasts know he was one of the great Western authors, but apparently few in the media are aware of this fact. The Pacific Standard recently published a somewhat snarky article about how Elmore Leonard began his writing career pumping out cowboy stories, but transitioned to his award winning crime novels after demand dwindled for Western fiction. This line is repeated endlessly in articles eulogizing Leonard upon his recent death. His move from Westerns to crime was almost four decades ago. No one in the media seems to have noticed that more recently, bestselling crime novelist Robert B. Parker ended his memorable career by writing a highly successful Western series about hired guns Virgil Cole and Everett Hitch. 

I could list more indicators of a resurgence in Westerns, but the bigger question is why supposed arbiters of popular culture are so intent on tamping down the Western every time a cowboy hat rises above the ridgeline? Why do they sound gleeful that The Lone Ranger flopped? (Actually, The Lone Ranger grossed $88 million in theaters, which would be respectable for a reasonably budgeted film.)

A simple answer is that most of the media critics live along the eastern seaboard and don’t relate to Westerns or even the vast wilderness that lies beyond the Hudson River.  But there must be more. Hollywood and publishing gatekeepers support the same stories and themes in fantasy and science fiction. It’s okay to wield a magic wand or a precious ring, but not a six-shooter? Outer space aliens can be killed with abandon, but not bad guys in black hats. I’m not sure what the answer is, but there seems to be a prevailing fear that the Western may once again become popular with the general public. If anyone has an answer as to why Westerns offend the elite, I would sure like to hear it.

Tempest at Dawn Review

Mike Reads has reviewed Tempest at Dawn. Link

"I found this novel to be an interesting read.  I thoroughly enjoyed it."

If you would like to read the real story of our nation's founding, pick up a copy of Tempest at Dawn.

Tempest at Dawn by James D. Best

Lazy Saturday Post

Are Audio Books for Non-Readers?

I normally read three to four books simultaneously. When I tell people this, they immediately asked if they are fiction or nonfiction. I tell them the mix varies. Actually, that’s only two thirds true. I'm usually reading an e-book, listening to an audio book, and reading one or more print books at the same time. The print books are almost always nonfiction. The Kindle and audio formats vary depending on what strikes my fancy, but generally both formats are fiction. It can be a bit confusing, but when I switch mediums, I back up a bit and usually get right back into the story.

My audio habit drew my attention to a Wall Street Journal article about audio books.  The claim is that audio is experiencing an explosion in popularity, especially with the younger generation. This article describes some interesting new concepts in audio that can leverage a franchise to a whole new audience. Throw in big-time tie-in marketing and you can extend a successful property into a phenomenon. Don Katz, Audible's founder and CEO is quoted in the article as saying, "We're moving toward a media-agnostic consumer who doesn't think of the difference between textual and visual and auditory experience. It's the story, and it is there for you in the way you want it."

One Audible.Com development is a syncing feature between audio and e-books. Now, that hit me where I live. I could read/listen to one novel at a time. Read my Kindle with my morning coffee, and then listen to the audio format driving to the gym and on the elliptical. Life just got simpler … which is what new technology is supposed to do, but seldom accomplishes on the first try.

The Steve Dancy Tales are in large print, trade paperback, Kindle, and five are available in audio. For audio buffs, Books-in-Motion produced the first two books in audio format. Narrated by Rusty Nelson, a skillful actor, the books are available from Audible.com. Jim Tedder narrated Murder at Thumb Butte and The Return, and Joe Formichella read Jenny's Revenge.

Are audio books for non-readers? Sometimes. But audio books are also for readers who never want to be away from the story. Remember, “It's the story, and it is there for you in the way you want it."

Western Heresy

As a kid I was not a big fan of Roy Rogers, Gene Autry, or The Lone Ranger. Sure, I watched them, but they never had the pull of Josh Randall or Paladin. Even as a youngster, I preferred tarnished heroes. The protagonists in Wanted Dead or Alive and Have Gun Will Travel were grittier than the signing cowboys or a masked man that always shot the gun out of the villain’s hand. I liked that Paladin wore all black and Josh Randall never apologized for tracking down men for money. These were hard men with a strict code of honor. They might kill, but never without just cause.

Wordslingers: An Epitaph for the Western

A new book brought these thoughts to mind. Wordslingers: An Epitaph for the Western by Will Murray is a comprehensive history of Western pulp fiction. I’m not a fan of Western pulps, but I’m a huge fan of Western pulp cover art. I collect pulp fiction Western books and magazines, and love to rummage around used bookstores so I can add to my collection. I’ve never read an entire pulp Western because the stories never seemed to live up to the promise of the cover art. I’ve probably missed something, so I’m going to ask for Murray’s book for Christmas. With back cover art like this, how can I resist?

Can the Bloody Benders Revive Western Film?

Bender General Store and Inn

In the early 1870s, the Bloody Benders were a family of serial killers on the Kansas prairie. The four members of the family could not be weirder. If they were a family. The only thing known for certain is that there were four of them and they killed over a dozen travelers that ate or stayed at their makeshift general store located along a popular trail to the West. One more thing is known, they escaped.

This is a fascinating story and now The Topeka Capital Journal reports that two Harvard graduates are making an independent film about this grotesque piece of Western lore. There may also be a Hollywood production about the Bloody Benders. I’m rooting for the indie film. 

When the resurgence occurs in Western film, it will come from solid storytelling. My money is on indie films because they can’t afford elaborate computer generated effects, so they have no choice but to concentrate on a great script. Western enthusiasts keep hoping that movies like Cowboys and Aliens or The Lone Ranger will rejuvenate the genre. Small films have a better chance.

Bender Knife

IMDB reports an estimated budget for Open Range of only $26 million, a pittance for a movie with two bankable stars. Dances with Wolves was only $19 million.  Quigley Down Under $20 million. And even the remake of 3:10 to Yuma was only $55 million. On the other hand, films with nine figure budgets have harmed the genre. Big losses sour Hollywood powers-that-be on Westerns and they’re too dumb to figure out they threw away their money on a lousy script because they believe CGI, fast cuts, and a pulsing soundtrack were the key to a blockbuster.

Good storytelling draws audiences into movie houses … and that’s the forte of low budget films. Since Hollywood is blockbuster obsessed, we’ll have to rely on indie films to have an enjoyable night at the movies with a box of hot, buttered popcorn.

Academic Nonsense about the American West

Looking for literary critiques of Western literature, I accidentally came across the article “Westerns” by Nicolas S. Witschi in Oxford Bibliographies. Witschi is Professor of English at Western Michigan University, where he teaches literature, cultural studies, and film. Sounds like some fun subjects. His website boosts, “My book Traces of Gold argues for reading the history of literary realism in the American West as a figurative engagement with the material, economic, and cultural value of natural resource industries.”

Wow! I was stopped by figurative engagement. In fact, I was stopped dead in my tracks as I stuggled to figure out what this showy sentence meant. Witschi was trying to convey a message, but instead of comprehending, I was Googling academic jargon. It reminded me of the line in Planes, Trains & Automobiles when the character Neal Page tells Del Griffith, "And by the way, you know, when you're telling these little stories? Here's a good idea - have a POINT. It makes it SO much more interesting for the listener!"

The article reads no better. Witschi seems to recommend studying Western literature as a sort of anthropological investigation of American culture. Although, it's hard to tell with sentences like, “As for questions about ‘literary’ quality and complexity, recent critical methodologies have not only expanded the criteria for assessing such things to include artifacts of mass market or popular appeal; they have also brought to light, with the purpose of working against it, the very means by which discursive power functions to identify and separate.” That’s as clear as the night sky over Montana.

The breadth of Western literature is astounding. From James Fenimore Cooper to Larry McMurtry, authors have been writing compelling historical novels about the American frontier. I’ll accept negative academic criticism of the Western genre as soon as I read a piece that dismisses The Once and Future King by T. H. White as mythology that promotes conquest, vigilantism, and sexism. Instead of searching for tidbits that can be extrapolated into a doctoral thesis, perhaps Witschi’s literature and film students would benefit from reading Westerns to learn the art and craft of storytelling.

After all, storytelling is the real oldest profession.

Related Posts

Is The Mythology of the Old West Dead?
The Future of the Western Genre
What happened to the Western?
The Western Heritage in Literature 

Yesteryear

In a bygone era, milk was delivered fresh to the door in reusable bottles, ice cream trucks plied neighborhoods, Helms brought bakery goods to the curbside, and whether you wanted anything or not, you got a visit from an annoying Fuller Brush man. Another door-to-door phenomenon was a photographer with a pony in tow. Now, my mother would never pay for my picture sitting astride a guzzied up pony, but I followed this dude around the neighborhood to see which of my friends' parents were worthy of children.

Yours truly

These were highly professional photographers. You can tell from these artfully framed portraits. The hat and chaps came with, but it was supply your own cap pistol. I had one of those, but a stingy mom. She tried to make up for her miserly ways by snapping my picture on the stoop with her Brownie. I loved her anyway.

Neighborhoods seemed a lot more important back then. I knew every kid within a couple years of my age. If mom wasn't home, I knew she was sipping coffee over gossip with one of her neighbors. We played in the street with no fear of a reckless driver, and went to the park unafraid of being bothered by strangers. All the parents walked together to the PTA meetings at our school, and to my knowledge, they never discovered we played marbles for keeps.

I thought those were the best of times until I learned to surf as a freshman in high school. Then my neighborhood became a street end in Hermosa Beach. Now those were the days, my friend.