Showing posts with label tempest at dawn. Show all posts
Showing posts with label tempest at dawn. Show all posts

Monday, March 16, 2026

Tucson Book Festival

The Tucson Festival of Books is the largest free book fair in the nation. It's a great adventure, and if you did not attend this year, you'll just be another year older when you do. 

Three of my books were highlighted: The Shopkeeper, The Shut Mouth Society, and Tempest at Dawn.




Lots of great presentations. This is C. J Box, Ellie Cosimano, and J. A Jance talking about book series. Great discussion.





Thursday, February 19, 2026

2026 Tucson Book Festival: March 14th and 15th

   

On March 14 and 15, on the University of Arizona campus, more than 130,000 readers and over 300 authors will celebrate the written word at the 2026 Tucson Book Festival.  If you can, come and join the party.

The Tucson Book Festival is one of the largest book fairs in the nation. I’ll be there, and so will my books. Well, at least three of them. TheShopkeeper, The Shut Mouth Society, and Tempest at Dawn will be featured at the Wheatmark Booth, #159. I am signing books on Sunday and will post an update after I am assigned a time slot.

Hope you can make it!


 






Monday, August 8, 2022

Best Commentaries

Based Opinions with a Dash of Cinnamon 


I started my writing career as a magazine columnist. No, not political opinions. My columns were about computer technology. My first book, The Digital Organization, was also a nonfiction, computer technology book. Then I lost control of my senses and wrote Tempest at Dawn, a novelization of the Constitutional Convention. Big subject, big book. And big surprise. I loved storytelling. Been at it ever since, and I have now written eleven novels and several short stories.

Tempest at Dawn, my first novel, brought me some unexpected attention. I had a few scary national television appearances and some surprise endorsements. It also brought me invitations to write for Constituting America and What Would The Founders Think? Soon I was in the thick of political blogging. Along the way, I also wrote for RedState and The American Thinker. It should be obvious from names of these sites that I wrote from a conservative perspective, so, fair warning, Best Commentaries is a collection of conservative opinion pieces.

Here’s a sampling.

We often hear laments that our politicians no longer honor their pledge to preserve, protect and defend the Constitution of the United States. This is backward. The Constitution was not written for politicians. Our political leaders have no motivation to abide by a two hundred year old restraining order. Americans must enforce the supreme law of the land. The first outsized words of the Constitution read We the People. It’s our document. It was always meant to be ours, not the government’s. It is each and every American’s obligation to preserve, protect, and defend the Constitution of the United States.

                                                                        ***

Democrats are disappointed because past campaigns did not go the way they wanted. Occupy Wall Street did not incite class warfare, Black Lives Matter did not start a race war, and Antifa did not expose a vast cadre of neo-Nazis lurking in the background.

                                                                        ***

If you lay every economist in the world end to end, you still won’t reach a conclusion. If you want to carry out bad economic policy, it’s not difficult to find a tenured professor to provide the rationalization. Roosevelt, Carter, Obama, and Biden have all applied disproven Keynesian principles … to the same result. Now, remind me, what was the definition of insanity again?

                                                                        ***

Proponents of Big Government used different nomenclatures to describe their ideal system, but they all have one overriding characteristic—power centralized in government. Socialism, fascism, communism, feudalism, monarchies, dictatorships, theocracies, police states, a unitary state, oligarchies, et. al. concentrate power in the state. The underlying political theology is irrelevant. In each and every case, the individual is subject to control by the state. It doesn’t matter who orders you about. It could be a king, emperor, dictator, a party general secretary, or an elected machine politician. The result is the same. You do as you’re told.

                                                                        ***

The United States of America is exceptional, but we are not exceptional because we are a different people. People are the same the world over. We are exceptional because of the uniqueness of our founding. The Declaration of Independence and United States Constitution were not events. They were processes that took many years to come to fruition. They both engaged an entire nation. They both were guided by clear principles. They both reflected timeless truths that inspired us to move ever closer to greatness.


You can order an e-book, paperback or hard cover at Amazon or order a print version from your local book store. 

If you like it, tell everyone. If you don't, mum's the word.


Sunday, August 18, 2019

Point of View Shift




Stories are told from a point of view (POV) and I prefer a predictable POV. Within a story, I find sudden shifts jarring.
Jarring bad, keeping the reader in the story good.
The most predictable POV is one that never changes throughout the course of the novel. All seven Steve Dancy Tales are written from Steve’s POV in first person. My Best Thrillers never change POV either, but the stories are told in third person. The advantage of a single POV is that the reader develops a closer relationship with the protagonist. Another plus is that the reader is pulled through the story at the same pace and with the same information as the protagonist, which helps the reader participate in the story.
A single POV doesn’t always help the story, however. In Tempest at Dawn, I alternate POV between Roger Sherman and James Madison. This allows me to portray the conflicts at the Constitutional Convention as the two warring camps strategize and maneuver against each other.
What brought all this to mind was an offer I recently made to give away one of my Steve Dancy short stories. (See the box to the top right.) When I was invited to write this short story for Wanted, A Western Story Collection, I decided to do something different with the project. Captain Joseph McAllen is a recurring character in the Steve Dancy Tales, but we never got inside his head. (You only read the thoughts of the POV character.) I thought it would be fun to tell this story from McAllen’s POV. I think it worked out well, but you can see for yourself by requesting the story.

Friday, January 24, 2014

Time, the Magic Elixir—Set Your Novel Aside for a Spell

Partial Outline for Tempest at Dawn

I believe novels are like wine, they need to age in a metaphorical cask for just the right amount of time. The chart on this page was a timeline I developed for Tempest at Dawn, my novelization of the Constitutional Convention. This chart reflected what happened during May, 1787, the first month of the Constitutional Convention. (Each number has extensive hidden notes.) I also develop separate charts for each of the following three months, plus similar charts for before and after the convention. My table for the cast of the story retained an unbelievable amount of data on all fifty-five delegates plus a dozen or so outsiders. I had spent three years studying the convention and the framers. It was a daunting task and I wanted to squeeze everything into my novel. To quote Pretty Woman, “Big mistake. Big. Huge.”

Constitution
The real story of our nation's founding.
My original draft was over 240,000 words. My agent harangued me to cut, cut, cut. By the time he agreed to shop the book, it was about 175,000 words. Despite his enthusiasm, it didn’t sell, and I threw the manuscript into a drawer (actually a computer file folder) for several years. After I had successfully self-published a western series and The Shut Mouth Society, I decided to take another look at Tempest. I felt I had captured the story, but diffused the drama with too much detail. Now I went after the manuscript with hedge clippers instead of scissors. After that, professional editing and proofreading got the final published manuscript down to 140,000 words. Still a big book, but now it moved with an energized pace.

Time was the medicine that cured the ills of Tempestat Dawn. I got far enough away to lighten my emotional attachment to the project. Writing a book is consuming, but intensity can also cloud judgment. 

After your final draft is done, set it aside for a bit and let your book mellow. Does it need to be years? Absolutely not. When I finish a novel, I go on a trip. Get some real distance between me and the book. I prefer going surfing or taking a road trip with friends. Something that feels like a reward. It can be as short as a week, and is seldom more than a month. For me, travel shortens the time I need to be truly objective about the final draft.  Every writer is different, so this may not be the best way for you to clear your head. I only know that I do solid revisions after getting mentally and physically away from the book for a spell.

One last thing: it’s not easy to abandon your book. There’s excitement on completion and an anxiousness to get it out there because it’s your best work to date. Probably true, but it can always be better. Give it a little time and look at it again with fresh eyes. (I also have a couple of trusted people read and comment on the book while I’m gallivanting around.) Try it once and see if it works for you. Like I said, every writer is different.

Wednesday, December 4, 2013

Opening a story—First, grab their attention

It was a cold and windy night.

Laura Borealis has published a blog article on TheTen Worst Story Openings. As I've mentioned previously, I open each of the Steve Dancy Tales with a number that is actually the sequence number of that particular novel in the series. I don’t know if that’s good or bad, but it's merely the opening word. I normally jump into the middle of a conversation. My intent is to make the reader curious about what the characters are talking about.

As an example, here are the opening lines of Leadville. The idea is to convey that something is about to happen and it is vitally important.
“Three.”
“Days or weeks?” I asked.
“Days.” Jeff Sharp squinted at the telegram as if it hid additional information. Rubbing the back of his neck, he added, “He can’t make it. It’s a six-day ride.”
“If Captain McAllen says he’ll be here in three days, we’d better have a room ready for him.”
Here is an example from my latest work, Jenny’s Revenge. The idea here is to start the book with tension and tell loyal fans that Steve and Virginia are together.
“Six.”
I recoiled. “Six dollars per night?”
“Yes, sir.”
“May I see the suite?”
Virginia squeezed my arm. “It will be perfectly fine.”
I never took my eyes from the clerk. “I’m sure, but I’d like to see it just the same.”
Are these great openings? I don’t know. I only know that I like to get the story moving from the gitgo. How about Borealis’ terrible openings? I agree with them all … except every one of these rules can be violated on occasion. In Tempest at Dawn, I simultaneously violated #1, #2, and #6. The opening lines of my prologue are:
Anxiety woke me before dawn. Rolling to my side, I pulled the heavy quilt around my exposed ear. Was I ready? Had I prepared sufficiently? Would the old man reveal what I had come here to learn? He was stubborn and had frustrated many before me.
The prologue was my agent’s idea and I believe it worked for this novel. A few reviewers disagreed, but they appeared to object because they had heard the oft repeated rule to avoid prologues. Generally, this is sound advice, but prologues can perform a positive function if they don't violate other guidelines of good writing. For example, show instead of tell still applies.

I don’t remember violating any of the other seven“Worst Story Openings,” so there appears to be a lot of work ahead of me.


Wednesday, November 27, 2013

Historical Fiction—Doing it Right

I write historical fiction. I chose this genre because I enjoy the research and a historical novel can last forever. My first book was a nonfiction computer technology book that was obsolete before Wiley could get it on bookshelves. After that experience, I vowed never again to write a book that had a three nanosecond shelf life.

(The Shut Mouth Society is a contemporary thriller, but it still has a strong historical theme around Abraham Lincoln.)

I enjoy history. History is the big, ongoing story about how we developed as a world and as a nation. History is a gazillion stories about people who lead, hindered, or stood around as stuff happened. Every one of them has potential to be an interesting story.

In nonfiction, events should be factually accurate. Historical fiction, on the other hand, can go places where nonfiction dare not tread, but it should stay true to the tenor of events. Although historical fiction may be free of the rigors of documentation, it remains subject to the precepts of storytelling. That means historical fiction, like all fiction, must have a beginning, middle, and end and remain interesting throughout. That’s always a tough assignment, but especially difficult when telling about real events.

A few months ago, Chuck Sambuchino wrote “How to Write Historical Fiction: 7 Tips on Accuracy and Authenticity.” I agree with all seven, but would add an eighth: don’t let research interfere with telling the story. This is not original with me, of course. It is usually stated: don’t let your research show. It’s tempting to drop a factoid into a storyline. Interesting tidbits can add spice and intrigue. They may do just that, but unless the information moves the story forward, it should be cut. The prime directive of storytelling is to never take the reader out of the story. A fascinating sidebar does exactly that. In fact, the more fascinating, the more likely it will distract the reader away from the story. Good writers should cut everything extraneous to the storyline.

Adhering to an accurate timeline can also ruin a story. Tempest at Dawn is my novelization of the Constitutional Convention. In my first draft, I presented speeches in their proper historical order. My book was as disjoined as the actual convention. When someone gave a speech, it took days for an opponent to craft a rebuttal. All kinds of other subjects were discussed in between. By remaining faithful to the actual sequence of events, the critical elements of pacing and tension were lost. I decided to write a historical novel about the convention to bring life to the characters and intrigue. Exactness was defeating my purpose.

There are many top quality history books on the Constitutional Convention, so I decided to tell a rousing story that was true but not completely accurate. In my first major rewrite, I adjusted the convention sequence so speeches were immediately followed by rebuttals. Since I only included the controversial or emotional speeches, the book suddenly took on energy. I also discover that the adjusted timeline made alternate opinions more easily understood.

I resolved the ethical question with a Historical Note at the end of the book that explained I had reordered speeches for clarity. A simple solution to keep the story moving.

Sunday, October 20, 2013

"Mike Reads" reviews Tempest at Dawn

historical fiction
The "Mike Reads" blog has reviewed Tempest at Dawn. This is not exactly a New York Times book review, but I liked it because Mike took away from the book what I intended. I love writing Westerns and like the freedom to plot my own stories, but Tempest at Dawn was a five year labor of love. It was a huge responsibility to write about the founding fathers and such an important event in American history. I read or seriously scanned over 100 history books on the Constitutional Convention, and used at least 3 biographies for each of the major characters in the story. And yes, it was a story—a great story with great characters, intense conflict, and hopeful resolution.

Tempest at Dawn continues to be well received by readers and historians. At the time of this writing, and five years after publication, the Kindle version is still ranked #28 for books about the U.S. Constitution. 78 Amazon customers have reviewed the book for 4.5 stars, and 185 readers on Goodreads have given the book an average rating of 3.84.

I'll probably never again tackle a book as challenging as Tempest at Dawn, so it's gratifying that it still sells well and continues to receive attention from readers and reviewers. Thanks.

Sunday, June 2, 2013

Feeling Rejected?



Rejections come with traditional publishing. Since you can't get a publisher without an agent, you have two opportunities to be rejected. Actually, you should consider yourself lucky if you vault the agent hurdle, but I can tell you from experience that securing a big time agent does not provide a ticket to Wonderland. Publisher rejections still come, but they are no longer form letters.


A personal touch sometimes makes rejection worse, especially when there’s nothing you can do about it. For example, one publisher said there was not enough physical action in Tempest at Dawn, my novelization of the Constitutional Convention. I had already added a horse race, steamship demonstration, rowdy tavern arguments, and even a house traveling down a Philadelphia street. The conflict came from the debates, not fist fights. Since publication, Tempest at Dawn has remained one of the top selling books on the Constitutional Convention. So … keep plugging away. Publishers don’t know everything. To prove it, here are some rejections sent to aspirating writers who went on to become bestselling authors.

Sunday, April 28, 2013

Musings About Concord, Massachusetts


I don’t believe in muses. Writing is not a matter of inspiration. It's more of a compulsion. Think about all of the famous authors that wrote until the last shovel of dirt was thrown onto their grave. Most people retire when the get enough money. Not bestselling writers. They just keep going. They write because they loved writing. 

That said, I actually have a muse of sorts. It’s Concord, Massachusetts. Some of my fondest memories are of that historic village about twenty-five miles north/west of Boston.


American Revolution
Colonial Inn
I lived in Boston for three years and consulted there for many many more. When I was consulting, I frequently spent two weeks in the city. I discovered that I could catch a commuter train Friday night and spend the weekend in Concord. I must have done this dozens of times, sometimes with my wife, but often alone.

Concord was peaceful, pleasant, and friendly. I stayed at the Colonial Inn, where in 1775, rebels had hidden guns and ammunition. The shot heard ‘round the world was only a mile or so down the road. Tourists visit Concord because of its iconic place in the American Revolution. Many are surprised by the town’s grand literary heritage. Nathanial Hawthorne, Ralph Waldo Emerson, Henry David Thoreau, Louisa May Alcott, Doris Kearns Goodwin, and Robert B. Parker have all called Concord home. No wonder Henry James dubbed the village, "the biggest little place in America."

concord massachuttes
Barrow Book Store (Used)



Concord is seemingly dedicated to books. There were no chain bookstores, but there was a great independent book store on the main street, at least three distinctive used book stores, and a fantastic public library.







Concord Massachusetts
Concord Free Public Library
To a great extent, I research and wrote Tempest at Dawn in Concord. On Saturday mornings, I would eat breakfast with locals at a neighborhood coffee shop and then stroll down to the Concord Free Public Library. One day I found a book that was over one hundred and fifty years old that would help my research. Before closing time, I ask the librarian if there was any way I could borrow the book overnight. She told me I could apply for a library card and check out the book. I explained that I was only visiting and a resident of Arizona. She said that didn't matter; Concord issued library cards to anyone and everyone. The regional card was even valid for the Boston Public Library, which had previously declined to issue me a card. I couldn't believe my good fortune. I needed nothing more than a picture ID to take an antique book back to my room. I was careful to return it in the same condition I found it.



I no longer work in Boston, so I don’t catch the commuter train to Concord anymore. I miss the biggest little place in America.




Saturday, April 6, 2013

The Sage Society Video of Dramatic Reading of Tempest at Dawn

This Youtube video is excerpts from a Sage Society reading of Tempest at Dawn. The Sage Society is a continuing education organization associated with California State University at Northridge. I was able to attend the first reading of this ten week project and was privileged to meet some great people. Tempest at Dawn is a historical novel about the 1787 Constitutional Convention.

james d. best






Link to Video

Friday, January 11, 2013

On Transmigration Comments on Tempest at Dawn

In an article titled "Books: An Observation," The Cajun writes:



"The only new title that knocked my socks off is "Tempest at Dawn" by James D. Best, published in 2009.  There's more about it HERE.  I've finished it and plan to read it again, after a spell.  There is a lot there to absorb and enjoy.  I know I missed many things as I read it quickly - it's a compelling read - and the second time  I plan to read more slowly and savor each character, and there are many historic figures involved. I also began looking up his other works and maybe add a few of them to my collection."

Thanks for the kind words.

Wednesday, November 28, 2012

Guest Blog Post: Meet Author James D. Best


From 
Free Kindle Books and Tips

"Continuing the guest blog posts by independent authors, best-selling author James D. Best tells us the background of his novel, Tempest at Dawn, plus some other interesting facts about him I didn't know prior to reading this post. A friend of mine at work has read it and said it was great, and I have added it to my Kindle."

Friday, March 16, 2012

Happy Birthday Mr. Madison

Today is the 261st anniversary of the birth of James Madison.  Madison was the Father of the Constitution, the Father of the Bill of Rights, and our fourth president. He was a small man. In fact, a contemporary claimed he was “no bigger than half a piece of soap.” Despite a soft voice, he successfully debated Patrick Henry, who at the time was considered the best orator in the United States. His voice might have been low and a bit high pitched, but his words were powerful. It seems fitting that on his birthday we allow Madison to speak for himself.

Sunday, February 5, 2012

Coming soon to a bookstore or website near you


Prior to 1776, world history was primarily written about kings and emperors. The American experiment shook the world. Not only did the colonies break away from the biggest and most powerful empire in history, they took the musings of the brightest thinkers of the Enlightenment and implemented them. The Founding of the United States was simultaneously an armed rebellion against tyranny and a revolution of ideas—ideas that changed the course of world history. 

Thursday, November 24, 2011

Guest Appearance on the Glenn Beck Show

On Tuesday, November 22, 2011, I had the opportunity to be a guest on the Glenn Beck Show. This was my second appearance, which made me feel good because it meant they didn't think I was really terrible the first time. The show launched Beck's new book, Being George Washington. I was invited onto the program because I had helped with research. I had loads of fun, and Glenn Beck is is a great guy. No surprises...he's just as he seems on his radio and television programs. Being George Washington is an accurate portrayal of the Father of our Country, but told with a more personal touch than other written portraits.


Tuesday, June 7, 2011

What would the Founders think? Balances and Checks

“The powers of government should be so divided and balanced among several bodies of magistracy, as that no one could transcend their legal limits, without being effectually checked and restrained by the others.” Thomas Jefferson
The phrase checks and balances has become so commonplace, it is often spoken as if it were a single word, but in the eighteen century, it was two distinctly different concepts. John Adams may have been the first to put the words together in his 1787 publication, A Defense of the Constitutions of Government of the United States, but balances and checks is the phrase used in The Federalist, and that is the sequence Madison would have thought appropriate. First balance powers between the branches of government, and then place checks on those powers so they are not abused.
A Defense Of The Constitutions Of Government Of The United States Of America, Against The Attack Of M. TurgotThe Federalist PapersTempest at Dawn

Wednesday, June 1, 2011

New post at What Would the Founders Think

Tempest at DawnOur Constitution created a limited representative republic.  A republic is different from a democracy.  In a democracy, the majority can directly make laws, while in a republic, elected representatives make laws.  Basically, in a pure democracy, the majority has unlimited power, whereas in a republic, a written constitution limits the majority and provides safeguards for the individual and minorities.
In the United States, we actually have both systems.  There is no way for Americans to directly enact legislation at the national level, but half of the states allow ballot initiatives which, if passed by a majority of the voters, have the force of law.