The mythology of the Old West has been denigrated by the people who set literary fashion. They say it is idealized, simplistic, tired, and, above all, untrue. The good guys were never that good. Frontiersmen and settlers displaced noble people already occupying the land. Coarse immigrants came in droves to desecrate a pristine wilderness. Eulogized heroics usually involved vigilantism, which offends those who honor the rule of law.
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For the last couple of decades, enthusiasts have lamented the demise of Westerns while the rest of the world has gone about its business, ignorant that anyone might care about a genre relegated to a few obscure shelves at the local bookstore. Westerns were hugely popular for over a hundred years. Not only were they popular in the United States, but the whole world devoured them. The Western was a staple of fiction, Hollywood, television, and daydreams. What happened?
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Read the article at EzineArticles
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Henry Fonda Playing Against Character |
Characterization is a crucial aspect of fiction. We know this because it's drilled into us at school, in workshops, and in all the how-to books and journals we read. The protagonist must come across as real and interesting enough to pull the reader all the way through to the end of the story. A common mistake, however, is to focus too much attention on the protagonist. When you read a great book or watch an outstanding film, it's usually the antagonist that lifts the story above the ordinary.
My first book was published by Wiley. It was an agented, non-fiction book. After I completed my first novel, Tempest at Dawn, I secured a different New York agent that specialized in fiction. While the agent shopped my lengthy, historical novel, I wrote a genre Western titled The Shopkeeper. Since the advance for a Western wouldn’t make a down-payment on a small Korean car, my agent declined to represent it. No problem, I’d self-publish.
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Independence Hall |
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